Metascore
76

Generally favorable reviews - based on 34 Critics

Critic score distribution:
  1. Positive: 29 out of 34
  2. Negative: 0 out of 34
  1. Reviewed by: G. Allen Johnson
    May 26, 2014
    100
    An astonishingly beautiful, irresistibly grim movie.
  2. Reviewed by: Ignatiy Vishnevetsky
    May 14, 2014
    100
    The visual and thematic palette immediately brings to mind Michael Cimino’s once-maligned "Heaven’s Gate" — except that The Immigrant accomplishes more in two hours than Heaven’s Gate did in nearly four.
  3. Reviewed by: Stephanie Zacharek
    May 13, 2014
    100
    Gray has a knack for wrapping big themes into an intimate embrace, and The Immigrant feels both epic and fine-grained.
  4. Reviewed by: Keith Uhlich
    May 13, 2014
    100
    You may often find yourself second-guessing the film, questioning how—and if—it will all come together. But by the time of the intense and impassioned climax, a storm of emotion is ensured: a great movie rising before you like a delusion, like a dream.
  5. Reviewed by: A.O. Scott
    May 15, 2014
    90
    The film is earnestly and unabashedly melodramatic to an extent that may baffle audiences accustomed to clever, knowing historical fictions. But it also has a depth and purity of feeling that makes other movies feel timid and small by comparison.
  6. Reviewed by: Scott Tobias
    May 15, 2014
    90
    What really sets The Immigrant apart is how urgent it feels. Historical dramas often have a reserve that comes with perspective, but nearly a full century removed from this story, Gray seems, if anything, more emotionally invested here than in his contemporary dramas.
  7. Reviewed by: Kimberley Jones
    May 28, 2014
    89
    The Immigrant is two hours long, but I stayed even longer in my seat, through the credits, still in thrall to it all. The title is singular, but the scope is not so easily quantifiable.
  8. Reviewed by: Geoff Pevere
    Jun 5, 2014
    88
    Visually evokes Coppola’s "Godfather Part II" and Leone’s "Once Upon a Time in America," but in its utterly irony-free melodramatic sincerity also suggests a silent-era woman’s picture à la D.W. Griffith, King Vidor or G.W. Pabst.
  9. Reviewed by: Steven Rea
    May 23, 2014
    88
    Marion Cotillard has made her share of unremarkable, if not remarkably bad, films. But when the French star, who won the Academy Award for her unearthly reincarnation of Edith Piaf in "La Vie en Rose", gets it right, the result is magic.
  10. Reviewed by: John DeFore
    May 22, 2014
    88
    Gray directs this handsome and evocative film with emotional restraint, making its archetypal title character a living individual whose moral journey is never simple.
  11. Reviewed by: Peter Keough
    May 22, 2014
    88
    The characters look as if they’d be more comfortable with intertitles than spoken dialogue. And the faces — Marion Cotillard as Ewa, the beleaguered Polish immigrant of the title, holds a close-up as well as Lillian Gish or Louise Brooks.
  12. Reviewed by: Ed Gonzalez
    Oct 4, 2013
    88
    In its stripped-down realism and blistering fixation on its main character's grappling with life and mortality, the film is kin to Roberto Rossellini's collaborations with Ingrid Bergman.
  13. Reviewed by: Peter Rainer
    May 16, 2014
    83
    The Immigrant is reaching for the same thing that Fellini achieved in “La Strada” – the state of grace that arises between people who at first would seem to have nothing in common but desolation.
  14. Reviewed by: Eric Kohn
    May 26, 2013
    83
    Gray's fifth directorial effort is a conflicting experience admirable and powerfully executed in parts, cold and meandering in others.
  15. Reviewed by: Jessica Kiang
    May 26, 2013
    83
    The Immigrant is contained, restrained, thoughtful filmmaking that satisfies on nearly every level, except for the desire for a little chaos.
User Score
6.9

Generally favorable reviews- based on 33 Ratings

User score distribution:
  1. Positive: 5 out of 10
  2. Negative: 4 out of 10
  1. Jun 1, 2014
    3
    A plodding, directionless period piece melodrama whose meandering script and largely one-dimensional characters are unable to elevate this film to the loftiness to which it aspires. Regrettably, its exquisite cinematography and fine production values aren't enough to salvage this otherwise-mediocre offering. Full Review »
  2. May 16, 2014
    9
    Beautifully filmed and featuring 3 superb performances from Marion Cotillard, Joaquin Phoenix, and Jeremy Renner. Not everyone will enjoy the pace, but the film is most rewarding to people who pay close attention to its details. Films just aren't made like this anymore. I consider it to be one of Grays best, and with career-best performances from Cotillard and Renner. I think there's a chance that the audience for this kind of film will be smaller than others, slow building melodramas typically are these days, but Gray has made a masterpiece of his. Full Review »
  3. May 29, 2014
    6
    In the early 20s, a Polish woman (Marion Cotillard) immigrates to America, only to find herself forced into prostitution by Joaquin Phoenix's character. This film is as desperately bleak as it sounds: a relentless downer that had potential to be grand and moving, but is hindered by the contrived plot, the glacial pace and the overblown orchestrations. Darius Khondji's cinematography is lovely, but bathed in an unoriginal sepia cast. Cotillard works those big eyes to full effect as she suffers endlessly, while Phoenix practically twirls his non-existent moustache. The period situations are interesting, but the dramatic potential is amped up to melodrama. Full Review »