Metascore
75

Generally favorable reviews - based on 31 Critics

Critic score distribution:
  1. Positive: 27 out of 31
  2. Negative: 1 out of 31
  1. 67
    This is classic Hollywood, at its best and worst, sticky rich and scabrous. It may not be the truth, per se, but it sure sounds good.
  2. 75
    Fantasy, not honesty, is the point of The Kid Stays in the Picture.
  3. Reviewed by: Ty Burr
    100
    Implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most American of businesses, and for that reason it may be the most oddly honest Hollywood document of all.
  4. Evans makes a terrific raconteur, imitating voices and putting us behind the scenes.
  5. If you ever suspected that assholes are running the world, this documentary adapting producer and former actor Robert Evans's autobiography, narrated with relish by Evans himself--the cinematic equivalent of a Vanity Fair article, complete with tuxes and swimming pools--offers all the confirmation you'll ever need.
  6. 88
    A new documentary about the life of this producer who put together one of the most remarkable winning streaks in Hollywood history, and followed it with a losing streak that almost destroyed him. It's one of the most honest films ever made about Hollywood.
  7. If Hollywood is really a dream factory, then it's the movie moguls and movie stars who live that dream to the hilt. In the late 1970s few lived quite as large as Robert Evans.
  8. The overall effect is too self-worshipping to be of lasting interest. The guy sure isn't shy!
  9. A candy store for film buffs.
  10. Reviewed by: Ron Wells
    100
    I've already seen at least 20 documentaries this year. They've left me amused, sad, informed, bored, pissed-off, whatever. I'm willing to bet, though, that I don't see another this year as richly entertaining or as cathartic as The Kid Stays in the Picture. Is it really that good? You better believe it.
  11. Reviewed by: David Chute
    40
    Evans is a fascinating character, and deserves a better vehicle than this facetious smirk of a movie.
  12. A witty, colorful and poignant account of the life and times of producer Robert Evans.
  13. 75
    Occasionally feels a bit suffocating, like being trapped at a party by a drunkard who won't shut up until he tells you his entire life story.
  14. It's either the world's greatest infomercial for fame (and its omnipresent companion, notoriety) or the saddest eulogy of all.
  15. The best part is during the closing credits. Dustin Hoffman does a brilliant, dead-on impression of Evans that captures the essence of the man more than all the self-serving grandiosity that preceded it.
  16. Evans, in effect, is the real producer here, and the film, which mostly consists of artfully blended archival footage, comes across like a last will and testament.
  17. 75
    A compelling portrait of a matchless man, who's still going strong at 72.
  18. Robert Evans has been variously described as the Hugh Hefner of Hollywood, a Tinseltown Gatsby, the Lancelot of the backlot.
  19. 100
    This stuff is golden. Directors Brett Morgan and Nanette Burstein make sure the movie goes down like potato chips. It's great fun and compulsively watchable. And don't leave before Dustin Hoffman makes a hilarious appearance as the credits roll.
  20. 80
    Is legendary Hollywood producer Robert Evans feeding us a load of crap in this documentary? When it's this much fun, who really cares?
  21. An imaginative self-profile of producer Robert Evans, could well be the most totally irresistible movie of the summer.
  22. Reviewed by: David Edelstein
    90
    A breezy hoot, and it's gorgeous to look at.
  23. Reviewed by: Keith Phipps
    80
    Evans has as distinctive an American voice as Mark Twain or Vin Scully, and the directors wisely let him do the talking.
  24. The best thing the film does is to show us not only what that mind looks like, but how the creative process itself operates: messily, erratically, outside of most people's morality, but with a force and purposiveness that makes the machinations of the rest of us look irresolute by comparison.
  25. 90
    One of the funniest, and most telling, films of the year. The filmmakers call "Kid" a documentary, but the movie is one of the unusual kind that is firmly lodged inside the subject's perspective.
  26. 60
    The result is a snazzy kick -- it's never less than hugely entertaining -- that should in no way be mistaken for an unbiased account. But then, Evans is the quintessential Hollywood character.
  27. Reviewed by: Todd McCarthy
    80
    Opulently produced, fittingly enough, and quite entertaining as a surface ride through the up, down and somewhat up again life of one of the New Hollywood's most colorful characters.
  28. The movie's only discernible purpose is as publicity for the book. An admitted egomaniac, Evans is no Hollywood villain, and yet this grating showcase almost makes you wish he'd gone the way of Don Simpson. Instead, he'll probably get an Irving Thalberg award.
  29. A smart, funny and strangely touching film.
  30. 100
    Has to be one of the must-see films for any student of Hollywood fame and infamy.

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