Once the undead start walking, however, the film loses some of its footing: Most of the bloodletting is staged with quick-cut inelegance better suited to the hack horror production of your choosing, though there’s still a potent air of hopelessness that lingers as the cast is winnowed away "Ten Little Indians"–style.
Recently Hollywood was largely contaminated with science fictions, especially space theme after ruling fantasies in the last decade. So it's good to see Britain to join in such competitive subjects. It was a decent science fiction, despite the addition of the horror genre to it. Kinda looks extended version of 'Apollo 18' because of the similar plot. But there are lots of different between both from characters to things that happen around.
In my opinion, this movie was not bad as many say nor good. Keep delivers what one can expect from a space travel theme, though lacked in originality. The story commences without notifying us about the mission's motivation that happened earlier or what's gonna happen later. So everything about the present situation of the mission's crew and their quest.
As the story progress, there's no delay in haunting parts of the thriller of the movie to begin. Characters just shatter and go chaos which gives first sign to us to do not blink further. Even it leaves us clueless about the incident due to the undeveloped characters. But sad not to see any heroic attempts among the survivors. They (filmmakers) tried to keep as much as a realistic approach with men in astronaut suits than great stunts like a commercial action movie.
In another perspective, it is a zombie movie that takes place on an alien planet. What do we call a man wandering around without a brain function or without a pulse, a zombie!. It disappoints a bit for diehard science fiction fans for not being the movie true to its genre. If you're okay with the merge of the genres, then you would find it a decent than disappointment.
I guess one big known name in the cast would have done a better at the box office. Liev Schreiber carried it out as much as he can but other casts just faded so early without delivering much which cause the movie a downfall a bit.
People seem to be kind of down on this movie in general but I thought that it was great. I think the acting is top notch, and I like the story. First of all zombies are not " dying of thirst " and do not drink water, and secondly even if someone wants to complain about how the cast was picked off, the same thing happened in the movie Alien and look at the reviews for that movie !!! Maybe some special effects could have been better, but it was nice to see technology that is more realistic than something like Alien. When that thing first showed it's face and grabbed the drill I almost jumped out of my seat !!! And then the red lights flashing was a great dramatic effect and I think the movie really took off and that the situation was realistically portrayed as to what would actually happen and how one would react if in this scenario. I love the strong female characters and the resentment that builds up towards Kim that leads towards her demise and that thing chasing the character Vince through the tunnel !!! Also Zombies do not forget the names and faces of their children before they die and they do not describe how they can not feel their hands either. I also liked the humor, and the fact that the main character Vince has a problem that should have been " weeded " out yet ends up being the one who sort of saves the day. I find that thought provoking that perhaps someone with this " handicap " could have other attributes that could prove more valuable. So I must say that over all, I really did enjoy this movie !!!
The film's visual construction is spare, drawing power from its locations and quietly matted miniatures, though ultimately it succumbs to powering a series of cheap thrills.
Although ably directed by feature first-timer Ruairi Robinson, and gamely performed by a cast professional enough to feign alarm and surprise, The Last Days on Mars ultimately confirms what science has already spent billions of dollars establishing: There’s just no life here.
While it earns high marks for Jon Henson’s production design, this murkily derivative sci-fi-horror entry sets its sights disappointingly low in terms of story and ideas.
Um bom filme de Sci-fi: Mas apenas isto.
Não há elementos que realmente te prendam na história (ok, há boas cenas) mas em certa parte se torna, digamos, meio morno, parecendo que só está rolando uma repetição de fatores que já foram apresentados ao expectador antes. Nada impressionante
The Last Days on Mars is a decent sci-fi horror flick. The movie finds itself rooted somewhere between art-house trappings and ultra-derivative schlock. It doesn't help that the characters are wafer thin or that the one subplot (involving a fear of claustrophobia) is left vague and confusing. What makes this movie decent, however, is the art and sound design. It's very well made and has some great chunky special effects. Ultimately, The Last Days on Mars is a harmless yet enjoyable bit of popcorn sci-fi.
Outstanding science fiction set becomes remedial zombiesque romp to nowhere with a no hope ending thrown in fer kicks. I don't know about you but I don't think films like this are good enough to ask people to pay money to see them. I saw it free streaming on the web and I wasn't entirely pleased with it either. I did think the sets were really well done-just like I imagine it would be on a Mars mission. I was also very disappointed to watch it degenerate into what was tantamount to a mindless zombie film that might as well have been shot behind an abandoned gas stain in Arizona. Dismal no hope ending didn't help matters much. No wonder there is a lot of depression out there these days-these kind of movies will take you right down the rabbit hole but after that they do they don't offer any reprise which I think **** royally. I gave it a five rather than the three it probably deserves due to the excellent set work.
Last Days on Mars is a rushed, slapped together, and quickly made film that only gets worse and worse as it progresses. A film can only contain so much. Space is endless, but by watching this film, you'll wish it wasn't. At least on a movie scale
Production Company
British Film Institute (BFI),
Bord Scannán na hÉireann / The Irish Film Board,
Qwerty Films,
Fantastic Films,
BFI Film Fund,
City National Bank New York,
Hindsight Media,
MEDIA Programme of the European Union