- Studio: CBS Films
- Release Date: Mar 1, 2013
- Critic Score
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60Never mind the inherent titular redundancy: The Last Exorcism Part II is a generally effective sequel to the 2010 sleeper that injected at least a little new life into the heavily taxed found-footage-horror subgenre.
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Mar 1, 201360At least this movie, like its predecessor, has Ashley Bell as Nell. An actress who suggests religious piety, carnal fire and satanic aggression with equal dexterity, Ms. Bell provides a pulse an audience can connect with amid the standard-issue atmospheric accouterments.
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60The Last Exorcism Part II is an effectively unnerving, slow-burn supernatural horror tale. The film is smartly different enough from the original to survive on its own, though it lacks some of the first film's sense of surprise.
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58Unfortunately, no one involved seems to have bent over backwards to make the movie either original or even all that scary.
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Mar 7, 201350Once the “what is real, what is fantasy” questions are answered, and exorcism part deux commences, The Last Exorcism Part II abandons its half-intelligent, tender exploration of Nell’s vulnerability and desirability
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Mar 2, 201350Somewhere inside The Last Exorcism Part II is a very good thriller — a genuinely unnerving movie about possession — struggling to get out. But then the sound drops out, the music shrieks, a figure jumps out, and we’re back to the same old, same old.
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50At the end of the day, it’s a sure-handed sequel, but not a terribly thrilling one.
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40Now Bell can break out of the genre. She's served her time.
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40Unfortunately, while director/co-writer Ed Gass-Donnelly displays an admirable restraint in his general eschewing of gratuitous gore, quick editing and flashy visuals, the results have a generally soporific feel.
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30When the creators of The Last Exorcism Part II swapped pseudo-verité realism for psychological realism, they made it a lot harder to take their franchise seriously.
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Mar 1, 201325Scenes of solemn importance drag on to the point of self-parody in an attempt at establishing mood, while dialogue reeks of connect-the-dots spoonfeeding.
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25An abysmal sequel that abandons the found-footage concept, along with the pockets of wit and originality that made its predecessor salvageable.
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Mar 1, 201325An ineffective excursion that maintains a few direct ties back to the original film but never moves the story forward.
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25It’s the kind of garbage that does a disservice to the fearless possibilities of the horror genre and its knack for sly social commentary.
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25Part II is every bit as cheap and far more generic, nothing more than a run of the mill ghost story masquerading as The Devil Made Her Do It.
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20The film, however, is short on genuine scares and ingenuity.