Metascore
78

Generally favorable reviews - based on 25 Critics

Critic score distribution:
  1. Positive: 20 out of 25
  2. Negative: 0 out of 25
  1. Breillat, the flamethrower who made "Romance" and "Fat Girl," artfully twists period-piece drama to suit her provocative modern notions about sex, gender roles, and power.
  2. Reviewed by: Matthew Sorrento
    90
    Here Breillat directs one of the most thrilling actresses working today, and the latter makes this calculated study into a tale brimming with passion and sorrow.
  3. 90
    A highly entertaining adaptation of French dandy Jules-Amédée Barbey d'Aurevilly's mid-19th-century novel Une vieille maîtresse.
  4. What’s explicit here is ravenous passion and the depiction of desire as a creating, destroying force that invades the very flesh. It's terribly French.
  5. 90
    This explicit movie about a sexually insatiable 19th century courtesan emerges like an erotic dream.
  6. Reviewed by: Robert Abele
    90
    The Catherine Breillat-directed period piece is an extreme cinematic pleasure, a well-told yarn of merciless desire.
  7. 88
    Beautifully composed, The Last Mistress, Breillat's 11th film, deals with the theme she has put forth in such previous work as "Romance" and "Fat Girl": how women deal with sexual desire.
  8. Reviewed by: Ken Fox
    88
    Under the beautifully appointed costumes and to-die-for interiors is Breillat's preoccupation with female sexuality and desire, all centered on a blistering performance from a perfectly cast Asia Argento.
  9. The picture's visual style is clean, exact and beautifully photographed by Yorgos Arvanitis.
  10. 88
    A passionate and explicit film about sexual obsession.
  11. Reviewed by: Kamal AL-Solaylee
    88
    The Last Mistress proves that Breillat has found something in the luscious language of the 19th century that makes sense to us today.
  12. 83
    Given their reputations as feminist provocateurs, the coming together of Breillat and Argento seems natural, even inevitable, and The Last Mistress gets a charge from their feisty, uncompromising spirit.
  13. 83
    The Last Mistress turns the melodramatic pieties of films like Fatal Attraction inside out. The anti-heroine acts like a vampire in reverse: Even when she drinks the anti-hero's blood, she makes him feel more alive.

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