- Studio: IFC Films
- Release Date: Oct 26, 2012
- Critic Score
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100The film feels as beautifully calibrated as a great piece of short fiction, only with visual accents and emphases filling in for the prose. It's a relationship movie where the most important exchanges remain unspoken.
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100One of the year's most original and emotionally profound movies masquerades as the tiny story of a young couple who take a backpacking trip in the Caucasus Mountains the summer before their wedding.
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Oct 24, 201295One of the finest of the year, The Loneliest Planet is based on a short story by Tom Bissell that's itself inspired by a famous Hemingway work, "The Short Happy Life of Francis Macomber."
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91Suspense is rarely delivered with such distinctive patience.
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88The movie captures a kind of tragedy of self.
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83The Loneliest Planet is not a perfect work of art, but it gets at something powerful: the way that life can turn us around in a flash, without warning.
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Oct 25, 201283Bernal continues to put in one good performance after another, and his turn here is no exception.
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80Bernal and Furstenberg exist within this meditative space with all the ease and unease of a couple still trying each other on for size. The forces that push and pull them feel so rooted in reality that if not for the layers of meaning it might seem a complete improvisation.
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80Blink your eyes and you've lost track of them, but one of the interesting things about the experience is that you don't want to lose track; though the film moves as slowly as its hikers, it demands, and deserves, to be watched closely. (The cinematographer was Inti Briones.)
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80Adjust to the deliberate rhythms of this hiking movie-set on the lush slopes of Georgia's Caucasus Mountains - and the psychological payoff stings like a blister.
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75The languid, observational style of director Julia Loktev will frustrate those expecting stuff to, like, happen more, but it has its real rewards.
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70It is gripping and haunting, but also coy and elusive.
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70The story is carefully constructed, with moments that seem offhand initially, but are later revealed as crucial.
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Oct 13, 201270Julia Loktev's marvelous, slow-burning follow-up to her minimalist thriller "Day Night Day Night" somehow manages to be both audacious and subtle.
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63Much of the film's final act is given to alienated walking, which too often plays as an abstract study of triangular arrangements in which non-speaking figures move across a barren terrain.
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60Writer-director Julia Loktev sustains the tension for long, Antonioni-esque passages that portend something momentous. The film delivers in unexpected ways, and then ponders what it means.
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50There's no getting around it. Though it's not without virtues, The Loneliest Planet may try the patience of even the most dedicated lovers of art film.
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50All of this grows tiresome. We're given no particular reason at the outset of The Loneliest Planet to care about these people, our interest doesn't grow along the way, the landscape grows repetitive, the director's approach is aggressively minimalist, and if you ask me, this romance was not made in heaven.
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50Gorgeous surroundings don't make up for sulky, feuding travel companions.