- Studio: Sony Pictures Classics
- Release Date: Apr 20, 2001
- Critic Score
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91I can't think of another movie that more fluently communicates the special agony and ecstasy of the game of chess.
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90Carefully made, involving and old-fashioned, the superior work it's inspired gives it an impact that lingers even when the endgame is over.
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90Moves with fluidity and ease through brisk opening conventions to a perfectly poised and balanced endgame.
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Fine candy for mind and eye.
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80A smart, romantic, heartbreaking pleasure.
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80Where it succeeds best is not in describing how Luzhin got broken but how love fixed him, albeit temporarily.
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75You'll find heartbreakingly star-crossed lovers, a heartless villain (Wilson) and a dazzling backdrop of aristocratic life before and after the Russian Revolution.
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75One of our best actors, Turturro surpasses his past fine work as Alexander Luzhin.
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75Watson's character grows in importance until she eclipses the recessive Luzhin.
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70The stage is set for a wonderful movie, and yet The Luzhin Defence, based on the Vladimir Nabokov novel The Defense, never courts greatness.
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70John Turturro, who, given the most romantic role of his career, fully inhabits the ungainly Luzhin.
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70Gorris has beefed up the role of Natalia (Watson), with the end result that the film's emphasis is appropriately divided between the two characters in an emotionally satisfying way.
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70A smoothly made period romancer that's elevated by strong playing from its whole cast, led by John Turturro and Emily Watson as the starstruck lovers.
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63The film is elegiac and sad, beautifully mounted, but not as compelling as it should be.
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63Turturro's Luzhin is a cinematic soulmate of Dustin Hoffman's Rain Man and Geoffrey Rush's David Helfgott.
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63Falls short of being totally absorbing and compelling.
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63Handsome and well-acted, yet it can't hold a pawn to Nabokov's harrowing and moving character study.
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60An attractive, intelligent film that's intractably at odds with itself.
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60In the end, it demonstrates all over again the virtual impossibility of doing Nabokov justice on film, because his work is so resolutely and brilliantly made of words.
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50Fails to score a checkmate.
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50When the film sticks with the eccentric comedy of a highborn woman attracted to a preoccupied genius, it works splendidly. When it strays into melodrama, it is as ill-equipped as Luzhin.
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50The film's dark heart is Valentinov's mephistophelean scheming: He sets about sabotaging his former protégé's game for no apparent reason except sheer malice.
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42Capable but not transporting, never unraveling the mystery of its hero's genius or, worse, making us care enough to look deeper.
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40A punishing tragedy that could best be described as the anti-"Shine."
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40It's one of those period dramas about upper-crust Europeans in vacation resorts, which at first we think we've seen a million times before.
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40Might be for you. Or you might be bored anyway.
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