- Studio: New Line Cinema
- Release Date: Sep 9, 2005
- Critic Score
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70Who knew Samuel L. Jackson and Eugene Levy would make such a dynamic comic duo?
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67An action buddy comedy is such an offbeat and inspired notion that it's impossible not to think of it without smiling.
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63Levy and Jackson save the day, and the film. The Man isn't great entertainment, but it contains enough laughter-provoking material to make it worth a look.
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50Both Jackson and Levy are better than director Les Mayfield's ("Blue Streak") meandering comedy.
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50Laugh? Well, once.
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50Les Mayfield doesn't know how to stage showdowns and chases so they're exciting or funny.
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50While nothing in the movie - least of all the two main performances - is especially fresh or original, it does have a few decent gags and amusing moments.
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50Passable--just.
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50Functional if thoroughly uninspired movie. Because it clings to the comedy-action template of "48 Hrs.," pic feels like it could have been made 15 years ago.
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40If it weren't for the running flatulence gag, the whole silly business might be mistaken for slight, clean, fast-moving fun.
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40Jackson and Levy strike only damp sparks off each other, and they seem to have been introduced to each other --without benefit of rehearsal -- mere moments before the director cried "Action!"
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40It's the kind of featherweight slot-filler people turn off after 15 minutes on a plane or have on in the background on cable while they vacuum the floor.
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40The only characters in this formulaic crime comedy that I halfway liked were a couple of barely glimpsed wives, but the two leads keep it going through sheer determination.
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38Nobody needed to make it, nobody needs to see it, Jackson and Levy are too successful to waste time with it. It plays less like a film than like a deal.
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38The screenplay has no idea how to modulate the banter between the movie's talented stars so that it approximates affectionate and playful sparring.
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38Yet another screwed-up mess that will give audiences another excuse to shun the multiplexes this weekend.
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38In Roy Orbison terms, enduring this movie is like working for The Man.
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38Dreadful.
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33Most of The Man is as awful as last year's debacle, "Taxi," yet Levy, stuck in a no-brainer variation on Billy Crystal's predicament in "Analyze This," shows just enough noodgy passive-aggression to suggest what the movie might have been were it not shackled to buddy-action clichés.
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30Less a movie than a longform, live-action Celebrity Death Match between its leads, this wheezing comedy may herald the death knell of the interracial buddy-cop farce.
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30In some ways, The Man plays like a sequel to some terrible movie that was mercifully destroyed before it was ever released.
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30Unfortunately, The Man makes the mistake of assuming casting is all it takes to make a good comedy.
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25Arrives in theaters today with a sheet over its head and a tag on its toe. So to speak. What we have here is a complete systemic failure, a comedy that's not funny, with action that's not thrilling.
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10I haven't seen such meaningful insight into the nature of human cooperation since this morning's "Sesame Street."
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10Fuu . . . cryin' out loud, this movie's dumb.
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10Indeed, this is the very kind of lame-brained folly Levy and his SCTV cohorts used to mock on their old show; now it's how he makes rent.
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0It's just awful. Pointless, lazy, derivative and paralyzingly dull.
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User score distribution:
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Positive: 4 out of 7
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Mixed: 0 out of 7
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Negative: 3 out of 7
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MalcomM.3
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JerashJ.9I liked it. Sure doesn't deserve all those pro reviewers who slammed it.
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JonD.9