There is a growing chorus of hosannas greeting "The Master" that will no doubt crescendo around Oscar time, but I would like to add my voice to the minority. There are very few negative reviews for this movie. Those I have seen have usually received a stream of venom from readers, who fill the comments sections with wounded outrage. The raves, meanwhile, are telling in their own way. Consider this quote from our own Kenneth Turan ("'The Master' mesmerizes in word and deed", LA Times, 9/13/12): "its interest is not in tidy narrative satisfactions but rather the excesses and extremes of human behavior, the interplay of troubled souls desperate to find their footing." Tidy narrative satisfactions. Here's another: "This is a superbly crafted film that's at times intentionally opaque, as if its creator didn't want us to see all the way into its heart of darkness." Anyone beginning to get a whiff of **** here? No? Perhaps we should take the advice of Entertainment Weekly's Lisa Schwarzbaum: "the movie may not even be fully comprehensible on first viewing, the bigger patterns in the narrative and the rhythms of the filmmaking revealing themselves more fully and clearly only with a return visit. Even then The Master is enigmatic." Well, you can't have everything. But Kenneth Turan deserves the final word: "it's disconcerting that the relationship between (Dodd and Quell) gets murkier rather than clearer as time goes on, (but) that is perhaps the point." Yes, we all love being disconcerted by murky enigmas, don't we? There's a certain feeling of sophistication that comes along with it. But this seems to me to be more like the shared thrill of a mob mentality, the kind of thing that gets dictators elected and cult leaders established, a projected fantasy of greatness that finds affirmation in incomprehensible mediocrity. We've seen it before. It would be perhaps too harsh to say that "The Master" is an example of this. There is no doubt a lot fine work on display in this film. But if I want opacity, I can always just stare at a wall.… Expand

I watched this film today, from a 70mm print. It is one of a handful of movies I wish I had never seen. It is slow and ponderous for the first half. The two main characters are unlikeable, which would be OK if they engaged you, which they don't. I might have sympathized with Freddie and his obvious PTSD issue if he hadn't been such a crude violent drunken jerk. The Master never felt real; portraying a faker without looking and feeling fake must be harder than I thought. All the way through this film is distinctly 1950's shooting and editing. The professional critics apparently love this; but in the theater audience it felt distinctly weird. We have moved on a long way from Panasonic 65mm cameras. This film is a throwback. If you like retro films and plots that go nowhere, this film was made for you.… Expand

In the end, the film is self-important- a hodgepodge of shiftless vignettes that add up to something tiresomely less than their sum. An incredible acting performance from Phoenix is diminished and finally dissolved in a stagnant reservoir of anti-plot where the maddening fact that nothing ever happens is justified audaciously and insultingly by the old highbrow notion that each non-happening is so meaningful in itself as to make the need for story irrelevant. Adding salt to the wound, the audience is consistently made to feel guilty and ashamed for its terribly middle class inability to appreciate or connect with such a vaunted and critically acclaimed "masterpiece." Viewers are finally left to wonder if even Scientology itself could take their eleven dollars while offering such straight-faced, masturbatory nonsense in return.… Collapse

I use metacritic to help make my movie selections, so someone needs to say this! Yes, good acting. Yes, unusual music, though disturbing. Yes, good cinematography that you expect for any movie. But expected for any movie is a plot, a story, a reason to exist, to watch, to understand, to persuade, to enjoy or even to hate. There's nothing here. After 2 1/2 hours, thankfully it ends and you're grateful that you at least had a comfy chair and hot buttered popcorn to waste your time!… Expand

I went to see this movie because Joaquin Phoenix and Philip Seymour Hoffman were in it and it had great reviews. I think at the time it had an 88 here on Metacritic. That is pretty much a no lose situation. Well there are always exceptions to the rules.... OK first let me say I found the acting of Joaquin Phoenix, and Philip Seymour Hoffman to be brilliant. That being said this movie was excruciating to watch. My favorite part was the end because that signified the last of my suffering. I never cared about the story itself or the characters involved. I kept waiting for it to go somewhere or get interesting but for the most part it never did. If you want to see brilliant acting and don't care about the story then I highly recommend The Master. If you want an interesting/entertaining story then I would select another movie.… Expand

For me, this movie was a case of the critics serving the cool-aide and us moronic masses following their leaders (cult)! While I'll admit that the individual performances were good, the collective was an uninteresting mess. I had zero connection to any of the characters and could have cared less what happened to them. Dreadfully long, dreadfully boring. Our entire group simply hated it.

I wanted to like this movie because the director has made great movies in the past, but this movie has no redeeming value whatsoever. Two lead characters who are jerks from the very beginning of the movie to the end, what was the point? It seems to me the movie was some kind of joke played by the director on the audience, why do you hate us mr. Anderson? What did we do to you? I wanted to walk out because of how intensely detestable these characters were but I stayed until the end hoping something redeeming would happen. I want the 2 hours of my life I wasted on this movie and my money back with an apology mr. Anderson.… Expand

I am with the other 19 reviewers giving this a negative review. People think way too hard. Any one who was coming out of this thinking that the movie was some grand statement or beautiful work saw a different movie than what I saw. I kept wanting to leave the movie, and didn't--just because I thought maybe, just maybe it would get better in the end. I have never run out of a theatre as fast as I did when that was over. It was really just a bore, and made me very, very upset, and taught me not to use Metacritic to pick which movies to see. Please don't see this. I'll feel bad if you do.… Expand

This movie should be called "Blah, Blah, Blah". I tried to love it. I wanted to love it. I admire and respect all the creative artists involved. It was pretty. It was well acted. But somewhere in the second hour (it would be incorrect to call it an "act", there are no "acts" in this film), I found myself wanted to chew through my arms to release myself from the theater. Perhaps if I had seen it in 70 mm the drive, character arcs or (god forbid art house movie lovers)... the PLOT might have been revealed in greater detail. As it was, I left shaking my head and wondering what I could have done if I got those 2 1/2 hours back...… Expand

If this show is considered good - then I don't get it! Although, I don't consider myself a prude and can tolerate brief nudity this was BEYOND my tolerance! The whole theme of the movie was disgusting and nauseating! This is really about degenerate men doing degenerate things. I saw no redeeming qualities in the men or the show. Some of the scenery was beautiful - but is spoiled by what goes on in the movie. I can't think of a movie I have watched that was a disgusting as this one - the only 10 it gets from me is 10 for disgusting.… Expand

I have never seen so many people walk out of the theater about halfway through the movie. To those of you expecting an Oscar-caliber film, while it may undeservedly be nominated for Oscars, this movie is nothing but a collection of beautifully shot but meandering scenes. There's no story, no narrative arc, just two unlikeable characters interacting in crazier ways. It becomes tiresome, fast.

ok phoenix is pretty awesome as an actor but the plot is grotesquely pointless and you will be cheated out of nearly 3 hours of your life if you watch this literally plotless movie.

A long lamentable movie that has no positive qualities. It is among the most lifeless pieces of cinema I have ever seen. Why people love this movie is beyond my comprehension; it is just deplorable on every single level.

Some people go to a movie to sit back, relax and be entertained. Others don

I could not, for the life of me, believe in the premise of the movie, that the Seymour-Hoffman character was supposed to be this charismatic figure people flocked to. His character was so uncharismatic, so completely banal -- why would any of the characters in the movie be interested in anything he said? I was bored beyond caring halfway through the movie and wished I was watching Burt Lancaster in Elmer Gantry instead.… Expand

I sat through this movie for almost 2 hours wondering where it was going and when. Maybe it was to artsy or just over my head. Whatever it was, I haven't been so confused about a movie since Memento, even Memento made you think. The master will probably win an Oscar, it only made me feel like I was punked.

After the brilliance of "There Will Be Blood", I was really looking forward to this film. Like many of the other users stated, I get nervous when the experts starting lavishing out the high praise as I have found that means really slow and boring abot 50% of the time. Well, this film is is dreadfully slow, boring,and untethered. "Tree of Life" was an action film compared to this snoozer. I think I got the outlines of the plot but they sure could have added something in to the emptiness to engage the viewer. Phoenix's drunken, violent persona was a one dimensional bore after two times and Hoffman is a great actor but he didn't have much to work with. My viewing friend kept asking if I wanted to leave but I stayed to the bitter end. An end that did not come soon enough. Dreadful!… Expand

Critics have been desperately prostrating themselves before The Master, Paul Thomas Anderson

This movie had a 30 minute plot that was stretched out over 2+ hours. Sure the acting was great, but there just wasn't enough meat in the story to carry it. Seems an accurate view of the beginnings of scientology-like cults though. I almost walked out a couple of times, and was very glad when it was over

First, my PTA credentials: I have consistently named Magnolia as my favorite movie of all time ever since it was released. It still is.

Second, only two words needed for The Master: Extremely. Boring.

I am so disappointed. PTA, please go back to the kind of story telling you are The Master of.

I have never seen a movie that got on my nerves more than the Master. Boring is actually the least of the problems. From the pace, to the incoherent story, to the horrible ending, the movie is utter garbage. The movie goes nowhere and by the 20 minutes into the film you want it to end, problem is you have another 2 hours of hell to sit through.

The Master left us confused and a little empty. Hoffman and Phoenix deliver dramatic portraits that take us nowhere. None of the characters were very likable.

This is my first review on Metacritic. Odd that I would finally choose my first review on something that felt passionless. I go into every movie with my mind open wide, ready for an experience I will remember. This movie did have some great cinematography, but not much else. I guess I also should give the actors a great deal of credit for portraying lunacy at its finest. Yet, we never really know any of the characters. They exist almost as if they are in our dreams representing some kind of strange, obscure beings. I did not walk away with much of anything and feel as if someone reached in my head and scrambled up my brains. I keep hoping to piece something together, but thus far I cannot seem to do it. I am a bit disappointed and confused. Although, maybe..just maybe it is nothing more than a master of trickery on all who partake. One who is in a cult, follows blindly into the darkness hanging on for dear life. The audiences follow movies and directors in a cult like way at times. Most of us follow reviews....so do we climb aboard this ship of praise for this movie or do you we stand apart from the crowd and say"what the heck was the point?"… Expand

It's official: The Master is Paul Thomas Anderson's strangest film to date, ousting Punch Drunk Love from the top spot. I'll admit that I'm not entirely sure what to make of this shapeless jumble aside from the fact that Phoenix and Hoffman give masterful performances and that Anderson is, I think, exploring the psychological makeup of delusional mystics/prophets and the minds that are drawn to them. The only thing I can say with any certainty, however, is that it is painfully pretentious and dull. I was truly hoping for more from one of the most talented directors working today.… Expand

This is my second review. The first was for "Tree of Life". This is not much different. While Paul Anderson dispensed with dinosaurs and psychedelics, the rest was a puzzling, endless, Mobius strip: no beginning, no end. Like "Tree of Life", this movie was crafted for the critics and the various "chic" critics awards, not ordinary, even intelligent movie goers. Phillip Seymour Hoffman is brilliant in virtually every role and is again in this one, thus the score is 1, not 0. The question is: to what end? Joaquin Phoenix mumbles endlessly, from one unintelligible sentence to another. He is incomprehensible. This movie is pointless and endless. Save your money.… Expand

Obviously, those who enjoyed this movie or thought it was profound have never lived in California, where unhealed healers abound, and everyone gets suckered at least once. I did think it was well acted, especially by Joaquin Phoenix, but by 2012, the con is an old one, and there isn't much more to say about it. I am sorry that this pretentious and arduous effort is getting such big play. Many more imaginative movies out there!… Expand

It looks stunning, sounds stunning and is superbly acted. There's no denying Paul Thomas Anderson's ability to make a film except for me The Master is pretty incomprehensible and as a result feels extremely overhyped and very unsatisfying. Disappointing.

Maybe the film went over my head, but I took nothing away from the Master. No feelings, no questions, no discussion. The Master is a film that sets out to tell no particular story, in no particular hurry. The characters are paper-thin, and really only give us glimpses of anything truly interesting. Make no mistake, the acting is superb, but I fear everybody is mistaking the wonderful acting for an overall enjoyable experience, film, and directing. Sure, Anderson tries a lot of different things to make it seem like an important film (shooting in 65mm), but he never made it a captivating one. If many take away nothing from a film other than adoration for the director, then is it really a film worth seeing, or is it simply fodder for the critics?… Expand