- Studio: Samuel Goldwyn Films
- Release Date: May 1, 2009
- Critic Score
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An edgy entertainment, the movie also remarkably has the feel-good warmth of an old-time Irish film.
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A dark and lovely drama about the complications of human connections that is Michael Keaton's impressive directing debut.
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90The film's title, needless to say, has an ironic bite. One of the pleasures of The Merry Gentleman is Mr. Keaton's commitment to that bite, which never registers as cruel or gratuitous, just honest, weary, sad.
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88Original, absorbing and curiously moving.
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88A sly and surprisingly sublime little noir romance.
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75It has been argued that for characters to be three-dimensional, they must have a past, a present, and a future, not to mention an arc. The Merry Gentleman offers a counter-argument for those who would dispute this.
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75Without her (Kelly Macdonald), the generally well-acted The Merry Gentleman would descend into terminal lugubriousness.
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70Despite its shortcomings as a plausible, compelling story, The Merry Gentleman, Michael Keaton's directorial debut, exhibits genuine promise behind the camera.
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67If ever a film needed a double shot of espresso and a swift kick in the caboose, it's this one. At best, the film is hypnotic; at worst, it challenges--no, dares--audiences not to fall asleep.
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63It's a very small film, undermined by a puttering rhythm and Pinter-worthy pauses in the second half and a resolution neither satisfyingly oblique nor conventionally pleasing.
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50A movie that doesn't quite have enough romance, thriller or revenge-fantasy elements to qualify for any of those genres. More than anything, it's a celebration of uncomfortable silences. The awkward moments in this movie far outweigh the joyful or tragic ones.
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50An overly muted and cautious piece of work. Watching it is like seeing a man ease out onto the limb of a tree, constantly testing its strength.
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50Keaton offers glimpses of a directorial gift, but this odd little piece feels like a warm-up for something more compelling.
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40Filled more with character studies than narrative intrigues, The Merry Gentleman also provides only sketchy personality details and background information.
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Keaton, who took over directing duties from ill-stricken screenwriter Ron Lazzeretti before shooting started, inherited a stock-still story of two lonely souls and never develops their rapport.
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38The potential for suspense is dropped (there's a subplot about the receptionist's flight from her violent husband, but he appears in only a couple of scenes) in favor of lots of hushed interludes in which nothing happens.
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33This Debbie Downer of a drama is a bitter slog.
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30Ms. Macdonald works modest wonders within these constraints -- she's a lovely actress, and a skilled one -- but too much is asked of her; Kate's innocence finally wilts beneath the camera's fixed gaze.
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30It's too bad the filmmakers didn't take a breath, look at the rushes and see what a comedic gem they had. With just a few tweaks, The Merry Gentleman could have made a wickedly funny parody of the over-earnest, lyrically hard-edged indie movie. But it's too late for do-overs.
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User score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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JayH.7
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DaveB.8Outstanding little movie. Nicely understated with credible storyline and excellent low-key performances.