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100One thing few will disagree on is the quality of the film's acting, especially by Gael García Bernal as Guevara and Rodrigo de la Serna as his friend. Both effortlessly embody the footloose, sometimes feckless quality of this "On the Road"-style adventure.
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100A gorgeous, poetic and stirring epic.
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100A superb film.
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100Lovely, heartfelt and unforced.
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100The result is a rare and precious work. The Motorcycle Diaries is an epic road movie with everything you'd want from such a film: laughs, kicks, adventures, pathos, poetry, natural beauty, strange encounters and friendship tested and strengthened.
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90Provides a smart, insightful prologue to the career of the man who continues to inspire countless people around the world.
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90Soulful and reflective film, as gentle as it is potent.
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90Mr. Bernal's soulful, magnetic performance notwithstanding, the real star of the film is South America itself, revealed in the cinematographer Eric Gautier's misty green images as a land of jarring and enigmatic beauty.
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88A mesmerizing look at an asthmatic, rich-boy medical student in the act of discovering his insurgent spirit.
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88Salles' movie isn't fiery or didactic. It doesn't rage or storm. Salles romanticizes the youthful Ernesto.
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88A steady, soulful film experience. It's got poetry to it - the poetry of humanity.
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88More coming-of-age story than biopic, this Guevara odyssey is a transformative adventure well worth watching.
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83Captures the lovely, heart-and-eye-opening ode to youthful possibility with affection and compassion.
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80Subtle, funny and touching. It’s not like a blow-by-blow “Birth of a Hero” type of film. The script is near perfect and the acting is spot on.
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80There is a balancing act at work here that sometimes makes the film seem too careful, but I found it a lovely and supremely moving experience, a haunting symphony in a minor key if not a knock-your-socks-off masterpiece.
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80The film is a deeply felt and beautifully acted hagiography.
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80This intelligently made picture is artful but not arty, political without being didactic.
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80A convincing, entertaining portrait of the revolutionist as a young man.
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80The movie's not heavyhanded about this coming of moral age; the revelations unfurl in subtle ways. What Bernal and this well-wrought movie convey so well is the charisma that would soon become a part of human history.
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80Nothing like a full picture of Che--nor of Granado and his eventual scientific career in Cuba, for that matter. But it exhilarates with the spirit of these young men in Act One of their lives.
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75There is no great story being told here. Mostly, it is a conventional road movie - a buddy comedy even - about the quests of two likable guys. The memoirs exist only because of Guevara's subsequent fame as a revolutionary leader in Cuba, Congo and Bolivia.
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75Some might not even notice what's going on when director Walter Salles finally shows his hand, and ends the film with documentary footage of the real-life Granado, now aged 81, romping in the earthly paradise that is present-day Cuba.
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75Captures some of the spirit of the real Che.
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A smartly scoped story of great personal growth and transformation. It's not hard to see the personality/political basis for Che's later revolutionary actions.
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70The film works best when it doesn't try so hard, when Salles simply allows his excellent actors and his beautiful images to work their magic.
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70Handsomely shot by Brazilian director Walter Salles and beautifully played by the two leads, The Motorcycle Diaries would amount to little more than a minor, softly politically conscious coming-of-age story, if not for its historical context.
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70It's a picturesque tale that, hobbled by its episodic structure, never achieves full steam.
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70Surprisingly effective re-creation of a Latin American Bing and Bob on the Road to History.
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67"Dr. Goodlove," or "How I Learned to Stop Worrying and Love the Proletariat" might have been a better title for this ingratiatingly loopy origin story about prerevolutionary icon Ernesto "Che" Guevara.
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63Seen simply as a film, The Motorcycle Diaries is attenuated and tedious. We understand that Ernesto and Alberto are friends, but that's about all we find out about them; they develop none of the complexities of other on-the-road couples, like Thelma and Louise, Bonnie and Clyde or Huck and Jim. There isn't much chemistry.
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63For a movie, this feels inadequate, despite its splendors and, later, its social dismay. It does, however, have the makings of a grand postcard.
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60Lovely to look at but insipid.
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58Glazed over by its worship of Che Guevara.
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50It's much easier to linger on his youthful idealism than on how that idealism eventually manifested itself. It certainly makes for a much prettier picture. But when your subject is Ernesto ''Che'' Guevara, it is disingenuous.
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50A gorgeously burnished vintage post card come to life, Motorcycle Diaries has about as much depth and emotional currency as the cardboard that post card would be stamped on.
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50Much of the film glides past with a slightly purposeless elegance. Astounding landscapes rise and fall away; enticing women glance and dance and disappear.
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50It never conjures up any coherent drama of its own, focusing instead on the historical destiny of Bernal's beefcake messiah.
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User score distribution:
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Positive: 44 out of 56
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Mixed: 2 out of 56
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Negative: 10 out of 56
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Albert6
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AjithF.9