Metascore
37

Generally unfavorable reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 3 out of 16
  2. Negative: 4 out of 16
  1. Reviewed by: Sheri Linden
    Feb 3, 2011
    30
    This soapy drama manages to be both half-baked and overcooked.
  2. Reviewed by: Melissa Anderson
    Feb 1, 2011
    30
    Though lazily mocking hyper-vigilant parenting, the film treats the moldiest clichés - as gospel.
  3. Reviewed by: Andrew O'Hehir
    Feb 3, 2011
    10
    Inside of five minutes I felt an urgent, blinding hatred for almost all its grotesquely overprivileged characters.
  4. Reviewed by: Joe Morgenstern
    Feb 3, 2011
    0
    Lest my own reaction be misconstrued, let me explain that I didn't like a single one of these insufferable narcissists, the kid included.
User Score
5.0

Mixed or average reviews- based on 12 Ratings

User score distribution:
  1. Positive: 1 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 2 out of 3
  1. Jan 16, 2012
    3
    Natalie Portman and Lisa Kudrow give fantastic performances, but sadly they are featured in a terrible dramatically uneven awkward film that won't get them noticed anytime soon. I give this film 28%. Full Review »
  2. Oct 22, 2011
    2
    Ridiculously over-dramatic, almost to the point of being the 21st century's "Mommy Dearest". Stepmom would be a very slight step better than this one. Full Review »
  3. Oct 2, 2011
    6
    I know one very similar to this movie and much better too, called "Stepmom" with Julia Roberts, Susan Sarandon and Ed Harris. The truth is that this drama (call it the novel would be too absurd) can have the most unsympathetic characters possible. Natalie Portman strives to give credibility to Emily, but the abuse of recurring return to the premature death of the daughter is the actress crippling any attempt to make her character more three-dimensional! Nevertheless, it is the best on the scene because her husband apparently indifferent and soothing, the conflicted ex-wife and the son verbally aggressive and nasty drawback is sufficient reason to abandon that Emily left the life in the midst of that family. It's a tearjerker poorly done and most obvious example of this is the final 30 minutes to extend into dialogue with another party of Emily solving not only the loose ends of the film as a whole, but of her life, as if only a simple conversation could unlock and enter the core of the personality and feelings. Full Review »