Metascore
86

Universal acclaim - based on 20 Critics

Critic score distribution:
  1. Positive: 17 out of 20
  2. Negative: 1 out of 20
  1. In crudest terms, there's no one to root for, and unlike Mamet or Pinter, for instance, the story isn't remotely strong enough to thrive without such a center… [The film s]trains hard to be smart and is ultimately repellent. [11 May 1992]
User Score
8.6

Universal acclaim- based on 22 Ratings

User score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. Dec 22, 2011
    10
    This film is one of the best satires on Hollywood ever made. Only Billy Wilder's Sunset Boulevard beats it.
    Tim Robbin's is a movie executive
    who screenwriters come to get there scripts made into films. When he starts receiving death threats from a screenwriter he turned down in the past his life takes a dramatic turn for the worst.
    The thriller plot is great but conversations about films overheard in the background of the movie are partly what make this a very interesting film to watch again and again. The main character murders someone in cold blood. Only a truly great filmmaker could make us care for him and take his side throughout. This film is a marvellously devilish satire.
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