Metascore
43 out of 100

Mixed or average reviews - based on 31 Critics

Critic score distribution:
  1. Positive: 7 out of 31
  2. Negative: 5 out of 31
  1. Ends strong, in an ultimately smoother, smarter sequel.
  2. Offers enough glossy good cheer to appeal to everyone.
  3. Reviewed by: Winda Benedetti
    67
    Fans of the first "Princess Diaries" will find enough laughs and diamonds in the rough to sustain them on their way to this important moral.
  4. Although all the key players are back - including, fans will be glad to hear, Heather Matarazzo as cynical sidekick Lilly Moscovitz - the freshness of the first is long gone.
  5. 63
    Has just enough fairy dust to charm its target audience.
  6. Reviewed by: Claudia Puig
    63
    We all love a good fairy tale, but the enchantment is missing in this predictable sequel.
  7. As a movie, it's a mixed bag with a huge amount of heart.
  8. Reviewed by: Ian Freer
    60
    Perhaps the best film ever aimed at eight year-old girls to be directed by a 69 year-old man.
  9. Like its predecessor, it's Hollywood hokum at its most glamorous and effective.
  10. Reviewed by: Joanne Kaufman
    60
    As reassuring and soothing as a nursery story.
  11. Reviewed by: Christine Dolan
    50
    If Andrews oozes regal poise and Hathaway radiates movie star allure -- and they do -- credit the actresses, not this flimsy fairy tale.
  12. Whenever Andrews - that incarnation of the sensible and the sensitive - glides on screen, PD2 sparkles.
  13. Like the first movie, Princess Diaries 2 relies primarily on the chemistry and screen appeal of Andrews and Hathaway to elevate the storytelling above the level of mush.
  14. Two hours pass painlessly enough, thanks to the affability of its trio of leads, Hathaway, Andrews, and Elizondo.
  15. The film's generic feminism pales beside its bloated sense of privilege, only underlined by a nonstop cabaret of sideshow acts.
  16. Reviewed by: Sara Gebhardt
    50
    Sometimes charming, sometimes a tad too silly and all the time predictable.
  17. Reviewed by: Karen Karbo
    42
    Panders to the worst traits in the target audience of spoiled third-grade girls.
  18. Anne Hathaway's charms barely rescue this exercise in lame comedy and romance.
  19. Reviewed by: Angel Cohn
    40
    Good-natured but overstuffed sequel.
  20. Reviewed by: Pete Vonder Haar
    40
    If there is one high point to be found, it's that Julie Andrews sings for the first time since her 1997 throat surgery.
  21. 40
    Slovenly writing by Shondra Rimes doesn't help, and the movie bows out with an omigod-we-forgot-the-feminism twist — too little, too late to redeem this lumpish excuse for a contemporary fairy tale.
  22. 40
    Benefits from extremely modest expectations. For it to be anything but painfully arbitrary would count as an accomplishment, so the fact that it's superficially entertaining qualifies as a minor triumph.
  23. Reviewed by: Melissa Levine
    40
    Garry Marshall is at it again. He disguises an insidious worship of wealth and privilege as a "feel-good" comedy about a wacky girl whose transition from ugly duckling to swan is supposed to inspire feelings of empowerment. In three words: It's a crock.
  24. Mr. Marshall, is not much of a film director. Depending on the budget, his movies look either cheap (like this one) or studio slick ("Pretty Woman"), and tend to have the same flat, presentational visual style that's familiar from most sitcoms.
  25. Reviewed by: Joe Leydon
    40
    Too blandly insubstantial to expand its appeal beyond its target demographic.
  26. 40
    Andrews is still a treasure, but the series's currency is plummeting.
  27. 38
    Did you (Garry Marshall) deliberately assemble this movie from off-the-shelf parts or did it just happen that way? The film is like a homage to the cliches and obligatory stereotypes of its genre.
  28. Reviewed by: Ty Burr
    38
    So unfocused is Shonda Rhimes's screenplay and so flabby is Marshall's direction.
  29. Reviewed by: Ed Park
    30
    Scenes end abruptly, laughs are as rare as yetis, and the overarching question seems to be: Can we turn this into a franchise?
  30. There's not enough story in it to fill a shoebox.