Metascore
64 out of 100

Generally favorable reviews - based on 36 Critics

Critic score distribution:
  1. Positive: 22 out of 36
  2. Negative: 0 out of 36
  1. 100
    The tough beauty of the picture is that it lets each viewer weigh the costs and benefits to Gardner. It's a genuinely transporting inspirational movie because it's also a cautionary tale. It doesn't downplay the hero's occasional clumsiness or pigheadedness.
  2. The relationship between Chris and his diminutive namesake is at the core of the film - the determination to be there for his son, no matter what; the mentoring, the pair's goofy, lovely banter. And Smith and his bright-eyed boy pull it off brilliantly.
  3. Reviewed by: Ty Burr
    88
    I don't think I've seen a mainstream movie get fatherhood so right since "Kramer vs . Kramer": the fear, the indulgence, the snappishness, the pre-occupied "uh-huhs" as a child natters about his day, the steamrolling waves of love.
  4. My sentimentality meter never went off, and Smith proved what people have forgotten since his breakthroughs in "Where the Day Takes You" and "Six Degrees of Separation" 13 years ago: He's a serious actor.
  5. It's a beautiful and understated performance, one that hums with a richer, quieter music than Smith has mustered before.
  6. 80
    The picture's ending -- which is satisfying, possibly even happy, depending on how you look at it -- is almost inconsequential; it's the texture of everything leading up to it that matters. The Pursuit of Happyness, even within its slickness, gets at intangibles that allegedly grittier movies fail to capture -- like how heavy a wallet can feel when you're down to your last dollar.
  7. 75
    Smith wins our hearts without losing his dignity, as Chris suits up for success by day and fights off despair by night. The role needs gravity, smarts, charm, humor and a soul that's not synthetic. Smith brings it. He's the real deal.
  8. While the film is roughly half grit and half sugar, it works because Smith sticks to a tougher, more rewarding recipe of 99.9 percent grit and only .1 percent sugar.
  9. 75
    The movie is essentially a vehicle for Smith, but the actor more than rises to the challenge. Rarely has attaining the American Dream seemed so impossible or daunting or so intensely, profoundly satisfying.
  10. You may have to go back to 1973's "Paper Moon" and the father/daughter work of Ryan O'Neal and 10-year-old Tatum for equal excellence in nepotism.
  11. 75
    A viral blast of the American Dream. It's "Rocky" with a briefcase.
  12. Will Smith has the right quality for the role -- he's an easy man to root for -- but he augments this by channeling some inner quality of desperation and need.
  13. Reviewed by: Claudia Puig
    75
    If The Pursuit of Happyness didn't star Will Smith and his adorable son Jaden, it might be just another tearjerker rags-to-riches story. But their chemistry raises the level of the film, making it heartfelt and compelling.
  14. Reviewed by: Ryan Devlin
    75
    It's not often that Hollywood is willing, or even able, to accurately dramatize what it's really like to be poor in America -- to evoke not only the circumstances, but also the sense humiliation and failure. That a European director like Gabriele Muccino, helming his first English-language film, is able to capture the essence of that experience is a testament to his skill as a filmmaker.
  15. It's almost impossible to watch this movie and not, on some level beyond reason, succumb. The Pursuit of Happyness is an expert piece of calculation: a male weepie engineered for the whole family.
  16. 75
    Still, there's a decency at the film's core and a desire to do the predictable thing in a generally unpredictable fashion. Those traits make it impossible to reject "Happyness" out of hand.
  17. Conrad's last film, the underrated "The Weather Man," was a parade of miseries, too, but the protagonist (Nicolas Cage) didn't move very fast in the throes of his existential crisis, and the palette (it was Chicago in winter) was glacial. Here, those crazy San Francisco hills give the movie a lift, and Muccino frames it all airily, with a glancing touch.
  18. 70
    For a movie conceived and executed in the mainstream Hollywood idiom, it has uncommon depth and honesty.
  19. It's the same old bootstraps story, an American dream artfully told, skillfully sold. To that calculated end, the filmmaking is seamless, unadorned, transparent, the better to serve Mr. Smith's warm expressiveness.
  20. The movie is almost devised like a rat-in-maze experiment at the Yale psychology department. Each few minutes some new obstacle comes up for Chris, threatening to obliterate his dreams, at which point the film stands back and watches him improvise brilliantly on the run.
  21. For all its good performances and family values, it's a painful movie to endure. It consists of watching this poor guy suffer one agonizing setback after another for nearly two hours, and its modest emotional payoff comes only in the final moments.
  22. Reviewed by: Ken Fox
    63
    Far from proving the reality of the Horatio Alger myth it peddles, Chris Gardner's story is worth celebrating precisely because he managed to beat the odds stacked so high against him. Steve Conrad's screenplay is also curiously but insistently silent on the subject of race.
  23. This is a slick studio production with a huge movie star and top professionals occupying every production role so that the polish of this well-made film makes even homelessness look neat and tidy.
  24. Reviewed by: Chris Hewitt
    60
    An admirably unsentimental biopic with an excellent central performance, but it doesn't impact as strongly as it could.
  25. 60
    "Inspired by" is an interesting phrase because the movie is more inspiring than inspired. The man's struggles are emotionally engaging, but dramatically it lacks the layering of a "Kramer vs. Kramer," which it superficially resembles.
  26. Reviewed by: Richard Corliss/Richard Schickel
    60
    Do we care about Gardner and son? Oddly, we do, because they are so appealingly played. What more might we wish for them? A movie that's a lot less repetitive.
  27. Reviewed by: Brian Lowry
    60
    The Pursuit of Happyness is more inspirational than creatively inspired -- imbued with the kind of uplifting, afterschool-special qualities that can trigger a major toothache.
  28. 50
    The Pursuit of Happyness is long, dull, and depressing.
  29. Both Smith and his son are appealing presences, but The Pursuit of Happyness seems to take place in a sociological vacuum. Gardner's insight into his difficulties begins and ends with the thought that, in the pursuit of happiness, there's a lot more pursuit involved than happiness, and unasked political questions seem to dangle ominously over the entire movie.
  30. Smith is resourceful in the role, though the story stretches one's credulity about his character's resourcefulness.
  31. 50
    The Pursuit Of Happyness represents a belated and calculated attempt to scrape off the glossy movie-star veneer and connect with the everyday struggles of living hand-to-mouth in the big city, but it's too late. Watching his (Smith's) performance here is a little like imagining an American version of "Rosetta" starring Julia Roberts.
  32. 40
    Especially to anyone with kids, the film packs some punch. Apart from that, The Pursuit of Happyness is emotionally manipulative and way too glossy to really hit home.
  33. Reviewed by: Toddy Burton
    40
    Though pretty to look at (with camerawork by Phedon Papamichael) and inspiring to contemplate, this story of human triumph needs a lot more of the human for an audience to actually experience the triumph.
  34. Reviewed by: Robert Wilonsky
    40
    Too emotionally slick to work, too visually glib to have an impact, made by people who think grit is something that's brought in by the prop department.
  35. Reviewed by: David Ansen
    40
    There's an inspirational, hang-on-to-your-dreams message, but it comes only at the very end of a long, grim, painful journey. Holiday cheer is not what this movie is offering.
  36. The pursuit is manipulative and repetitive.
User Score

Generally favorable reviews- based on 171 Ratings

User score distribution:
  1. Positive: 55 out of 84
  2. Negative: 22 out of 84
  1. Jondoe
    10
    great movie. anyone who disagrees is a blind fool. it shows how real men take care of their kids. also a great movie on learning how to be a father and getting to know your kid. i don't even want to get into the motivational and other aspects of the movie. great acting jobs all around. Full Review »
  2. MarkB.
    5
    Horatio Alger meets The Bicycle Thief. Look, I'm as thrilled as anybody that Chris Gardner, the real-life figure on whom this movie is based, beat insurmountable odds to become a big-time stockbroker, caring for and feeding his little son (and sending him to what is apparently the world's crappiest day care center) while doing it. And I have no problem whatsoever with the critical acclaim and Oscar nomination that Will Smith has received for his heartfelt performance, although I can't help but wonder if Smith would've been as effective in maintaining such convincing screen rapport with child actor Jaden Smith if the latter weren't Will's own offspring. But this movie is so relentless in its apparent aim to make the audience feel as miserable (oh, excuse me, miserYble) as possible most of the way that the childish knock-knock joke that concludes the film, while not being all that funny in and of itself, got as big a reaction from my theater audience as the "bean scene" from Blazing Saddles normally would've...simply because it represents a change of pace, never mind how tiny, from two hours of punishment. I'm often a real sucker for good inspirational movies: I loved Akeelah and the Bee, The World's Fastest Indian, The Prize Winner of Defiance, Ohio, Gridiron Gang and the current examples Rocky Balboa and Freedom Writers, but all of those featured abundant moments of humor or joy to counterbalance the required scenes of hard knocks and heartbreak; conversely, I couldn't have wanted to exit The Pursuit of Happyness quicker if the theater had caught on fire! As the old blues song might say, if Gardner as depicted here didn't have bad luck he'd have no luck at all; he can't give away the bulky, outmoded medical devices he starves himself trying to sell to doctors, but that doesn't stop them from being frequently stolen; when given a crucial phone number to call for a job interview, he not only can't find something to write it down with, but people keep shouting other numbers at him while he's desperately trying to commit it to memory! After a while, this accumulation of obstacles reaches such a ridiculous, almost Pythonesque, red alert level that I actually found myself derisively laughing at it; callous as this may seem, my conscience is clear because the filmmakers seem to be fudging several crucial facts in order to artificially intensify the pathos. Apparently the real Gardner's son was an infant (not a preschooler) at the time, and apparently the Dean Witter brokerage firm didn't make Gardner and his 19 competitors do intern work for them for nothing, but paid them a small pittance...so if screenwriter Steve Conrad and director Gabriele Muccino are this willing to play fast and loose with the facts, then why should I automatically buy into their portrayal of Gardner's estranged wife as the biggest harpy on earth? I smell more than a whiff of Cinderella Man's fraudulent portrayal of the infinitely more complex than depicted boxing champ Max Baer as a one-dimensional sadist here; Conrad and Muccino are such enemies of fairmindedness and nuance here that they even make Thandie Newton (a very good actress) LOOK as unattractive as possible, even when she's down to bra and panties! But the worst aspect of The Pursuit of Happyness may well be the aftereffect that occurs down the road, as some of the same American corporations that a few years ago rocketed Spencer Johnson's book Who Moved My Cheese? to Number One on the bestseller lists by buying crates of it in order to convince their employees that being downsized is the best darn thing that could possibly happen to them begin doing the same with this movie on DVD, in essence to tell the rank and file, "Look, so what if the CEO's giving himself another raise and you a pay cut? Be glad we pay you to come to work at all !" If that's indeed what happens (and I don't doubt that it will), then The Pursuit of Happyness will make the long leap from simply being a bad movie to becoming an instrument of evil. Full Review »
  3. I gave this movie 8 out of 10, for the simple reason and premise that it is based upon a real story, and that the performances are strong and true to its overall content. Will Smith is NOT the revelation of this movie, it is his son, Jaden. Strange irony for me to say this, because Smith is one of the most talented actors/performers alive and is a personal favorite of mine. Director Gabriele Muccino hasn't done anything extraordinary, but has simply made an ordinary, real-life story extraordinarily uplifting. And he has his actors as well as Andrea Guerra's moving background score to thank. Probably disrespectful for me to say this, considering that a movie's success/failure depends entirely on its direction and concept. So let me retract my earlier line about the director! Smith's Chris Gardner might probably be the unluckiest guy in the world, as he runs around with what could safely be described as 'an object from outer space,' but does so with such urgency that even his own wife, played horribly by Thandie Newton, thinks it's a useless idea. Funny she should think that, considering she moved in with Chris in a new house because the objects (portable bone density scanners) once seemed highly potential for their future. Newton's Linda Gardner is a bit too unnatural and hurried for me. If she had reasons to be so cross and frustrated with Chris and their normal life, she probably could have done with a few more scenes, either shadows or memories from the past or even the present. But Linda felt a bit too hyper anxious and helpless. Jaden Smith doesn't disappoint in his movie debut - the kid can act! And what's more, he does it seemingly effortlessly. I wonder if Smith was just stunned and speechless during the outtakes, because sometimes, Junior Smith can be so impeccably natural. What moved me equally was the beautiful score by Andrea Guerra - it was just the foundation that the movie needed. It was calm, subdued, powerful, and emotional. When, in the scene where Chris is told that he's got a job and he gets out of the office to enjoy a rare moment of sheer happiness and even personal vindication, the background emphatic score lifts the spirit up as much as Smith's precise and wonderful performance does. All in all, it was a wonderful movie in life lessons. And lastly, before I forget, I enjoyed the Happyness part, the graffitti on the wall that Chris Gardner was so conscious and expressive about. Funny he should be so insightful and verbal about such typos when his own life was a train wreck going downhill! This is the magic of the movie - it is the painful irony of life, and the eventual joy of true hard-earned satisfaction in the pursuit of real 'happyness.' Full Review »