- Studio: Buena Vista Pictures Distribution
- Release Date: Nov 1, 2002
- Critic Score
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83While it lacks the original's streamlined core, the father-son relationship, the sequel gets by on assembled moments of sentiment
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75The movie is not a special effects extravaganza like "The Grinch," but in a way that's a relief. It's more about charm and silliness than about great hulking multimillion-dollar high-tech effects.
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75Won't replace anyone's annual viewing of "It's a Wonderful Life." But your family could find a worse way to take a holiday break.
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A nice little holiday movie.
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75For an anonymous Saturday afternoon, it's the best lump of coal Hollywood can jam in your stocking.
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63Frankly, if I were Mrs. Claus, I might be looking for Santa Clause 3, outlining the grounds for annulment.
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63Isn't perfect, but it's fun, and Tim Allen shines
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60Festooned with cute, mugging kids; lots of jazzy redos of beloved Christmas tunes on the soundtrack; and enough tug-at-your-heartstrings moments to make an entire theater feel warm on a blustery winter afternoon.
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Television director Michael Lembeck maintains a tidy pace suitable for commercial breaks, and though the committee-written script cites fuzzy logic, eBay, and Utah marital customs, it predictably avoids any mention of Christ.
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50No question, the new movie is amiable family entertainment, and Allen is such an affable actor that maybe kids won't begrudge him seeking romantic fulfillment in order to remain their favorite Santa.
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50Allen has fun with all his roles -- The rest of the acting is bland, but the movie's preteen target audience won't mind, and adults will find occasional grown-up jokes to chuckle at.
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50This sequel, while lacking the freshness of the original, shares much of its charm and for the most part rises above some trite, syrupy dialogue.
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50There's not a moment in it that feels fresh or authentic or inspired. But neither is it offensive.
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50Has the disjointed feel of a bunch of strung-together TV episodes.
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50Entirely inoffensive, so it makes for perfect family fare - but only if the children are young enough to be indiscriminating about what they're seeing.
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50You have to have a certain affection for any movie in which a stressed-out Mother Nature announces ominously, "Don't mess with me -- I'm pre-El Niño."
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50While the film is not entirely successful, it still manages to string together enough charming moments to work.
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50Tony Burrough's vast Toy Workshop and Elf Village at the North Pole is the film's strongest asset. The workshop is a dazzling and accurate display of the Art Nouveau style in sinuous full flower.
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50The only parts of the film that ring true -- and they sometimes ring touchingly true -- are the ones that give Mr. Allen simple human themes to work with.
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40Sweet enough while it lasts.
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40Despite the obviously mercenary nature of this sequel, there's a thimbleful of clever ideas at work here, most notably in the way Allen's RoboSanta begins to turn his toy factory into a tiny dictatorship.
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40Once more, Tim Allen drops a lump of coal down the chimney.
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40Captures the true spirit of the holiday. It's mildly sentimental, unabashedly consumerist (with anything-but-subliminal advertisements for McDonald's hamburgers and Nestlé candy tucked inside), studiously inoffensive and completely disposable.
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38If you value your time and money, find an escape clause and avoid seeing this trite, predictable rehash. The 90 minutes could be better spent doing holiday shopping.
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38The movie is as padded as Allen's jelly belly.
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30Allen, who's a natural charmer, seems to be at half-strength here.
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