- Studio: Lionsgate
- Release Date: Dec 25, 2008
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38With its starkly contrasted visuals (fierce blacks, Clorox whites, a dash of unholy crimson), The Spirit may resemble a comic book more than any live-action film yet made, but it makes "Max Payne" look like a gleaming jewel of storytelling by comparison.
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38Maybe if there was something going with the dialogue - snappy Chandlerisms, say, or even just sentences that made sense - the fussy digital artifice of The Spirit wouldn't seem so, well, dispiriting.
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38The movie's cleverest idea is to give the Octopus identical clone henchmen with names like Phobos, Logos, and Huevos, all played by Louis Lombardi with a marvelous fat-boy idiot grin.
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38Not charming, but not cynical, The Spirit is wholly unrecommendable, but made with greater care than many movies that are.
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30Ultimately, it's a long, incoherent mess of a film, enlivened only by the sure knowledge that the great Will Eisner's original is available to one and all at your nearest comic-book shop.
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The fanboys will find room in their heart to forgive the desecration. Everyone else won't care at all.
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30Plunges into a watery grave early on and spends roughly the next 100 minutes gasping for air.
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Doesn't just play like a cheap "Batman" knockoff, it plays like a cheap "Batman" knockoff that knows it's a cheap "Batman" knockoff -- and wants to be sure everybody knows it knows.
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25The Spirit is mannered to the point of madness. There is not a trace of human emotion in it. To call the characters cardboard is to insult a useful packing material.
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25Only Sarah Paulson, as the Spirit's doctor and sometime lover, seems to be in there playing the scenes as if she were a human being in a comic book superhero scenario, as opposed to a comic book character stuck in a cruddy movie.
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25The Spirit feels like the follow-up to "Batman & Robin" no one wanted.
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20It is truly a mess.
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20Miller clearly wanted to make an impression, and that he does. Maybe it's better to be remembered for one of the worst movies of the year than forgotten for a mediocre one.
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16The movie is a septic tank of vapid noir posturing, bad narration, bizarre pacing, cartoonishly hot femme fatales and ineptly staged slapstick.
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0Throwing your $10.25 down a storm drain is a better idea; at least that way you won't feel the added self-loathing of wasting more than an hour and a half of your life watching Eva Mendes in the worst acting job of her career.