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84

Universal acclaim - based on 21 Critics What's this?

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8.3

Universal acclaim- based on 11 Ratings

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  • Summary: A group of Egyptian revolutionaries battle leaders and regimes, risking their lives to build a new society of conscience.
  • Director: Jehane Noujaim
  • Genre(s): Drama, History, Comedy, Documentary, News
  • Rating: Not Rated
  • Runtime: 95 min
  • More Details and Credits »
Score distribution:
  1. Positive: 21 out of 21
  2. Mixed: 0 out of 21
  3. Negative: 0 out of 21
  1. Reviewed by: Mike Scott
    Feb 14, 2014
    100
    Not only is it a searing on-the-ground, in-the-fray portrait of the heart of Egypt's ongoing revolution, but it is also a stirring tribute to the indomitable spirit of those who are risking, and in many cases giving, their lives to keep it alive.
  2. Reviewed by: Kenneth Turan
    Oct 31, 2013
    100
    The Square bears witness to history in an articulate, thoughtful and intensely dramatic way.
  3. Reviewed by: Peter Rainer
    Nov 1, 2013
    91
    By the film’s end, the main protagonists have become more philosophical, if no less ardent, about the future of Egypt. “We are not looking for a leader,” Hassan declares. “We are looking for a conscience.” He has only to look in the mirror.
  4. 80
    The Square is inner-world-shaking.
  5. Reviewed by: Michelle Orange
    Oct 22, 2013
    80
    [A] powerful, exacting depiction of Egypt's struggle for meaningful change.
  6. Reviewed by: Simon Houpt
    Jan 16, 2014
    75
    In the end, Ahmed claims a kind of victory, noting that open dissent and public protest has become embedded in the culture, even if Egyptians have not yet found a leader to unite them all. Something has begun, he says. Its real meaning is not yet clear.
  7. Reviewed by: Tasha Robinson
    Oct 23, 2013
    70
    It catches, in the most authentic and democratic way possible, a collection of people who’ve developed a strong taste for revolution, but are still trying to figure out what to do with it.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Jan 28, 2014
    9
    Director Jehane Noujaim delivers a riveting documentary with "The Square,"which manages to powerfully convey the chaos, complexity, and inherent dangers of a Revolutionary movement. The film boldly provides a perspective unattainable by journalists, and the activity recorded from 2011 to 2013 captures the passion and defiance of a movement first hand. The fight for a democratic Egypt is far from over, which is part of what makes the film so dynamic and riveting.

    "The Square" is a documentary that traces the events of Egypt's Tahrir Square protests beginning in early 2011 when millions of people took to the streets to demand the removal of President/Dictator Hosni Mubarek, who held power for 30 years. However, when Mubarek is overthrown, the army steps in to temporarily take over the countries affairs, but does not follow through with their promises to its citizens.

    After a free and fair election, the military fascist dictatorship is essentially replaced by a religious fascist dictatorship under President Morsi of the Muslim Brotherhood. Once again, the protesters unite and return to the Square to face a violent military oppression. It's a harrowing narrative of people twice betrayed: once by the army and again by militant Islamists who insist on a constitution based on religion instead of secularism.

    Noujaim tells the story primarily through focussing on three activists, all of whom are friends. A charismatic, young artist named Ahmed Hassan, a British accented actor-turned activist Khalid Abdalla ("United 93"and "The Kite Runner"), and a family man Magdy Ashour, who is a member of the Muslim Brotherhood who finds his loyalties to his friends tested. The film's storyline follows the revolutionaries through the euphoria of victory, followed with the uncertainties and dangers while under military rule that threatens the politics of democracy.

    "The Square" documents the promise and hope of a better future at the beginning, but by the end, you are left with an overwhelming sense of opportunities lost. While a more detailed back story of political maneuvering would have provided welcome context, its implications for the future are extraordinary. The revolution is a work in progress, a rebellion against an oppressive regime, and a call to arms for true democratic ideals. Informative international media outlets are few, and international news rarely generates much interest in the US. Ever more so it's the courageous filmmakers recording history with handheld cameras that are filling the void.
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