- Studio: Universal Pictures
- Release Date: Oct 15, 1999
- Critic Score
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91Pungent, funny, and surprisingly forceful.
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63Disturbingly lightweight and emotionally risk-free.
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63Too easily, and predictably, resolves itself.
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63Doesn't live up to the promise of its trailers.
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63Another one of those high-gloss treatments of domestic strife that want to have it both ways. Sitcom-slick, melodrama-edgy.
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50Overwrought comedy-drama.
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50A squirmy mix of therapy-session slogans, pop psychobabble, and lots of crying, yelling and pouting on the part of its two stars, who appear in various alarming hairpieces.
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50Conspicuously short on the kind of texture that makes us feel we're watching real people living real lives.
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50I scratched my head in wonder as to why this pair of one-dimensional characters couldn't find happiness in such a shallow story.
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50Turns into a bogus drivel courtesy of a sitcom monster.
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Snappily directed and edited, and there are moments of funny acting...but the script is all homiletic commonplaces, in quip form, and the wisdom is both stale and dubious.
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50Tries so hard to push all the pre-ordained buttons, and it's so anxious to be liked, nay, adored, that it left me sullen and uninvolved instead.
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50Wants to be an honest look at the problems that can beset a modern marriage, and be funny at the same time, but it doesn't have the skills or the temperament to pull all that off.
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50The stylistic devices used, which recall early Woody Allen and Paul Mazursky, get increasingly tedious, disrupting not only the sequence of events but also squelching audience sympathy for the protagonists.
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50Willis and Pfeiffer do manage to keep you awake, but you're essentially watching your own marriage up there. And you don't need to pay a sitter to do that.
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42Conveys an almost pulseless Nora Ephron style of homespun wisdom.
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40Slick and glib when it means to be profound yet ruefully witty; its rhythms are pure sitcom, complete with emotional rimshots.
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40Merry witticisms collide with empty clichés, leaving these characters with little trace of realism.
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40A skim-milk version of a yuppie romance.
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40Mostly the movie is like the marriage: good casting, golden promise, yet somehow a grating ordeal.
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38Never makes the Jordans' tribulations feel like anything more than yuppie angst.
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38You can get all of this free on television any week, so why pay for it?
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34This is a second-rate Woody Allen midlife crisis comedy without the laughs.
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30Fragmented and contrived, like a badly mapped-out scrapbook.
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30The wet blanket of undigested autobiography lies all over Rob Reiner's excruciating new opus about a marriage winding down into terminal atrophy.
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30So bland and un-lived in you want to pour Tabasco all over the screen.
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30The script...and Rob Reiner's direction...bristle with phoniness.
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25A sad-sack movie about the misery of a married couple who fight most of the time. Watching it is like taking a long trip in a small car with the Bickersons.
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25Audiences may want their own speedy divorce from this irritating collection of stale jokes, pointless vulgarities, and warmed-over clichés.
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25The movie's most inexcusable failing is that, despite all the flashbacks, we never get a sense of what this relationship was like when it worked.
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Maudlin, irritating marital drama.
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Though it sets out to explain why this marriage is worth saving, The Story of Us could prompt even single members of the audience to file for divorce.
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20Folks, I really feel that seeing this one for you is the movie critic's equivalent of jumping on the grenade to save your lives. Send me medals.
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