Metascore
48 out of 100

Mixed or average reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 2 out of 11
  2. Negative: 2 out of 11
  1. Reviewed by: Roger Moore
    Feb 26, 2013
    75
    A down-and-dirty genre picture that manages a couple of decent plot twists, a couple of passable car chases and two epic shoot-outs.
  2. Reviewed by: Kenneth Turan
    Feb 28, 2013
    70
    Don't look for The Sweeney to win any awards. It's not going to, not even close. But that doesn't stop it from being a briskly involving British crime entertainment of the old school. You've seen the type, and more than once, but the genre still has enough juice to take us for a ride.
  3. Reviewed by: Jeannette Catsoulis
    Feb 28, 2013
    60
    Simon Dennis’s photography is glossy and crisp, and a lengthy foot chase — making excellent use of the National Gallery — is inventively choreographed. And if the villains are little more than fireplugs in balaclavas, the violence they provoke is satisfyingly vicious.
  4. Reviewed by: Kyle Smith
    Feb 28, 2013
    50
    I don’t know how many sex scenes featuring Winstone and Atwell you can handle, but the movie breaches my limit, which is a firm zero.
  5. Reviewed by: Mick LaSalle
    Feb 28, 2013
    50
    The movie has a certain integrity and creates an interesting atmosphere, largely thanks to the soundtrack, of all things, which gives most moments a dreamy undertone.
  6. Reviewed by: Omer M. Mozaffar
    Feb 27, 2013
    50
    Somewhere in the laundry list of clichés, there is a movie here that we have already seen and forgotten.
  7. Reviewed by: Sam Adams
    Feb 27, 2013
    42
    From its lone-wolf mythology to the high, pealing guitar wails in its score, The Sweeney plays like a forgotten ’80s action movie recently discovered in a dusty vault. A treat, perhaps, for those who prefer their cop thrillers pre-meta, but tiresomely plodding for everyone else.
  8. Reviewed by: Pete Vonder Haar
    Mar 1, 2013
    40
    The Sweeney—a new British police drama—feels a lot like an American-made cop movie circa 1990.
  9. Reviewed by: David Fear
    Feb 26, 2013
    40
    Fans of the gritty, era-defining precinct drama will bristle at how the program's realism has been replaced by a generic Tinseltown U.K. slickness. But regardless of whether you’re a longtime devotee or not, you’ll be left saying, “This is The Sweeney? I’ve been rooked.”
  10. Reviewed by: Gabe Toro
    Mar 4, 2013
    25
    Up until the very very end (which uncorks a CLASSIC cop cliché that seemed long dead by now), The Sweeney is straight dumb procedural, no chaser.
  11. Reviewed by: Chris Cabin
    Feb 27, 2013
    25
    Clichés abound, even in the look of the film, which toggles between post-Ritchie crime-violence burlesque and sleek, Nolanesque faux-grandeur.
User Score

Mixed or average reviews- based on 7 Ratings

User score distribution:
  1. Positive: 0 out of 3
  2. Negative: 2 out of 3
  1. Offensive on every level. There has to be something wrong with a film that makes you want the villains to be victorious and the so called good guys to be viciously killed. Ray Winston playing himself is more reprehensible than usual and I didn't think that could be possible. Film making at its nadir and British cinema to be ashamed of. The TV series from which this moronic mess springs from should sue. A socially irresponsible piece of crap that Shames everyone involved. Full Review »
  2. The Sweeney delivers a flawed and often messy action flick that will sit well for some pretty decent action scenes but is ultimately a very forgetful movie that cancels itself out on several occasions.
    Ray Winstone puts in a decent performance as Jack Regan, he has created a character based on what people want him to be, hard man yet loveable, gritty yet friendly to the right people.
    Based on the TV show, we open with Jack and his gang of misfits interrupting an armed robbery, this is where we are introduced to George Carter, played by rapper Plan B (Ben Drew) in his acting debut.
    As the film progresses we learn that Jack is holding many secrets close to his chest, his affair with a co-worker who is married to the new man observing the Sweeney, or his tokens of gold bars to the man tipping him off about the robberies which his team try to foil.
    Jack long suspects that its a previous enemy who has committed the ultimate robbery, also killing an innocent worker in the process, Jack doesn't, however, have enough evidence to support his theory.
    Its clear from the opening heist that The Sweeney trades story and depth for style and often grim character development.
    Ben Drew is simply alright in his debut, at times it was quite difficult to understand what he was saying, and his overall take on George Carter may have been better suited to Tom Hardy.
    The other supporting characters are easily forgotten, with next to no development and one dimensional personalities. This is very much a Ray Winstone film, but he simply cannot carry the film on his own.
    A particularly decent shootout was a good point in the film, taking place in Trafalgar Square and stretching across the parks, but unfortunately a very boring and seen-it-all-before car park sequence just sort of nullified everything that had happened previously.
    The Sweeney unfortunately seems like an attempt to combine the best British films into one, but simply doesn't succeed in doing so, with a messy story and a sub-plot involving the observing of the group felt lie something that should have been in a sequel, not in a remake trying to find its feet.
    Ultimately, The Sweeney did have big ideas, but its lifeless supporting cast and pointless attempts at telling a gritty story have shattered its credibility, save for Ray Winstone and a few little moments from Ben Drew.
    Full Review »
  3. If you think this is a feel good british gangster movie, don't ebven bother to watch it. The Sweeney is a underbelly kicked in the butt feeling movie. Other than Nick Love. Full Review »