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30I’m told Bella’s helplessness is true to the spirit of the novels, but so what? It’s almost 2010 – let’s get hip, people.
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50Where the first film’s director, Catherine Hardwicke, plugged into Meyer’s vision of supernatural teenage lust with abandon, Chris Weitz is stuck with a sequel that’s a morning-after mope-fest.
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38The sequel to the 2008 hit “Twilight” makes no effort to satisfy outsiders. It's strictly for devotees who won't balk at plot absurdities, clunky dialogue and patchy characterizations.
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The movie's script and production values represent a big step up from the nearly unwatchable predecessor and make it suitable viewing even for people who aren't Twilight nerds.
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25The Twilight Saga: New Moon takes the tepid achievement of "Twilight" (1988), guts it, and leaves it for undead.
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75Why does “New Moon” basically work, even with its grave self-seriousness? A few reasons. Weitz lets the material breathe, and his actors interact. The film does not try to eat you alive.
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50It probably won't make a jot of difference to all the screaming tweeners lining up to see this movie, but The Twilight Saga: New Moon is not wonderful.
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60If you buy in to the central romance, you’ll laugh, you’ll cry, you’ll swoon. Otherwise, the lingering glances, lip-chewing and regular de-shirting may cause uncontrollable giggles.
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83Fan-ready and saga-solid.
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It’s intellectually and socially detrimental to both literature and cinema, simultaneously.
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60Constrained by the plot of the novel, the film keeps the two lovers apart for quite a spell, robbing the project of the crazy-in-love energy that made "Twilight," the first entry in the series, such a guilty pleasure.
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50In the sequel, Weitz lays on a pop song and slow-motion during a critical scene involving the sudden reappearance of a fearsome villain, giving everything an MTV-slick, teen-friendly gloss and reminding you this is just a movie -- a somewhat silly and hollow one.
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60Weitz takes a looser approach than the series’ last director, Catherine Hardwicke, did. He has a better sense of humor, too.
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40Weitz’s pacing is so limp you’re going to need the electricity generated by a live audience to keep from yelling, “Hurry it up!”
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38New Moon is supposed to be an exciting love story plus monster action. So where’s the excitement? Where’s the action?
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75Given this swoon-inducer, Summit Entertainment would be well-advised to set up fainting couches in the multiplex lobby and provide smelling salts to those who need them.
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58More solidly crafted and insults its audience quite a bit less than its predecessor, and it sets up several nice emotionally complicated cliffhangers for the next installment. I hope its target audience has a blast.
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50The storyline is all over the place, with numerous unresolved subplots sprouting out of thin air and being left hanging (presumably to be resolved in future movies).
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50Ever since "True Blood" glamoured me, Twilight seems even more sexless and toothless. I prefer my undead with a little life in them.
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30New Moon, on the other hand, merely follows a dictated formula. It's a cheap, shoddy piece of work, one that banks on moviegoers' anticipation without even bothering to craft a satisfying experience for them. Its pandering is an insult.
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50Let's just say it: It's great there's a movie that makes teenage girls scream. Half the movies Hollywood makes are designed to make teenage boys scream, and those boy movies are just as ridiculous and a lot nastier than New Moon.
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80Mopey, draggy, and absurdly self-important, the movie nonetheless twangs at some resonant affective chord. This viewer, at least, was catapulted back to that moment of adolescence when being mopey, draggy, and absurdly self-important felt like a passionate act of liberation.
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75May be one of the most fun-free, angst-ridden teens we've seen on the big screen in a long time.
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In spite of its wealth of conflict, New Moon suffers from a dearth of accompanying tension and excitement, thanks to the increasingly tedious relationship at its center.
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50Actress Kristen Stewart – coolly intense, androgynous, and intelligent – remains the series' strongest asset, as Bela, the emotional centre of the story.
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70Once again, the three young leads give committed performances, with Lautner's character allowed a larger share of the spotlight this time around.
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40The big tease turns into the long goodbye in The Twilight Saga: New Moon, the juiceless, near bloodless sequel.
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Is this sequel defending its fan base and preempting criticism about its transparent agenda? This IS a soap opera, folks--and acceptable escapism for those old enough to see it yet still young enough to shriek at undead dreamboats.
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63The werewolves have it all over the blood-suckers in The Twilight Saga: New Moon. When these oversize, hirsute creatures burst onto the screen, they inject life into a rather inert story.
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70Carried by Kristen Stewart's compellingly dark performance, but also by helmer Chris Weitz's robust visuals.
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Chaste, oddly bloodless, and nearly plotless saga.
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63Despite melodrama that, at times, is enough to induce diabetes, there's enough wolf whistle in this sexy, scary romp to please anyone.