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100The Visitor, is, if anything, more imaginative and touching than his first.
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100As a writer-director, McCarthy, like the characters and the places that he suffuses with emotion, has poetry in him - and he knows how to let it out. He has a talent for demarcating those spaces in which characters can become whoever they want to be.
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91It works on several levels, and stands out as a wistful meditation on the psychological cost of 9/11.
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90Eloquent and unassuming, it's a picture that hits home precisely because it doesn't overreach its grasp.
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90The curious thing about The Visitor is that even as it goes more or less where you think it will, it still manages to surprise you along the way.
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88A heartfelt human drama that sneaks up and floors you.
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88Jenkins and The Visitor”make lovely music together. It’s a case of a veteran character actor slipping on a leading role like the most comfortable pair of pants in the world.
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88Best movie I've seen so far this year? Hands down, it's Tom McCarthy's superb The Visitor, which turns Richard Jenkins, one of the best character actors in the business, into a full-fledged star.
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88McCarthy's flawless casting may be the film's greatest strength: Veteran character actor Jenkins and his costars vanish into their characters -- their performances are so subtle and unforced that they don't feel like performances at all.
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88It is one of the year's most intriguing dramas, with a quartet of powerful performances.
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88This is a film of our times - paranoid, heartbroken, disillusioned - and the rare recent American movie whose characters react the way actual people might.
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83This audaciously issues-loaded indie drama works, improbably and entirely, on account of the marvelous, often familiar-looking, rarely starring character actor Richard Jenkins and his perfect performance as a stodgy, widowed economics professor.
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83Like few of his filmmaking peers, McCarthy understands and respects the power of quiet, and how a whisper can be as explosive as a shout.
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80A compelling and illuminating story of four people who form an unlikely and momentary friendship of considerable depth.
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80The tension dips occasionally but stick with it and you'l be richly rewarded.
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80An unassuming but quietly heartbreaking drama.
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80A combination immigrant/resurrection tale, Visitor tilts toward the soulful rather than the political, and could be this year's humanistic indie hit.
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80Gives viewers a perceptive, deeply personal take on the timeless immigrant narrative, in which the most epic journey is finally one of self-discovery.
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80Powerful second film by writer-director Thomas McCarthy (The Station Agent).
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75The Visitor is a small movie, but its emotions could not be writ any larger.
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75At first glance Walter isn't a guy you want to spend two hours with. But by the end of the film, you don't want to see him go. Jenkins is like that: He sneaks up on you and steals your heart with light-fingered skill.
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75This is a simple story of human drama that provides an incentive to spend a couple of hours in a movie theater during a spring that has not provided many such reasons.
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75The combined effect is, as I say, small but sincere. McCarthy may prove to have something bigger in him, or he may be a miniaturist content to build little stories and fill them with all the humanity they can bear. If that's the case, there are far less worthy ways to spend a career.
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70The Visitor tells of renewal through love. Its song is tinged with sadness, but stirring all the same.
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67Definitely a film that marches to its own drumbeat.
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The actor - like everyone else in this tedious yet affecting film - rises well above his soft-headed, solipsistic material, turning in a performance of nuanced delicacy.
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60Both director and cast exhibit the dedication of those who truly believe in the message at hand. But with so much earnestness onscreen, the message occasionally gets in the way of the movie itself.
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58McCarthy is so careful not to take a political stand that his film seems neutered by good intentions. In the spirit of squishy humanism, he soft-pedals a hard-hitting topic.
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McCarthy unquestionably means well, but he's made one of those incredibly naïve movies that gives liberals a bad name, and which does more to regress the sociopolitical discourse than advance it.