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60All in all, an entertaining (if ideologically incoherent) response to the valorization of greed in our midst, with lots of Rambo-esque violence thrown in, as well as an unusually protracted slugfest between ex-wrestler Roddy Piper and costar Keith David.
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75The looniest movie of the season and also one of the most engaging. [7 Nov 1988]
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80Has its share of underthought or overwrought moments. The tone keeps shifting radically. It has some silly lines, plot lapses and goofball action scenes. But you can forgive the movie everything because of the sheer nasty pizazz of its central concept. [4 Nov 1988]
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0Typical of some of the absurd moments in this film is a long drawn-out fist fight between the hero and Frank, who almost kill each other because Frank is too proud to try on the magic dark glasses. It is completely stupid. [5 Nov 1988]
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30Mr. Carpenter has directed the film with B-movie bluntness, but with none of the requisite snap. And his screenplay (written under the pseudonym Frank Armitage) makes the principals sound even more tongue-tied than they have to. [4 Nov 1988, p.C8]
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70Carpenter is trying for a satire of advertising and consumerism under late capitalism, and although the film is great fun at first--especially when depicting the world through Nada's glasses--it rarely rises above the intellectual level of a comic book.
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38Live dies around the time Carpenter allows 10 minutes of gratuitous Piper-David eye-gouging, an apparent bone to wrestling fans. Forget the amusing premise; a full crate of magic glasses couldn't make this a bearable movie. [7 Nov 1988]
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70A fantastically subversive film, a nifty little confection pitting us vs them, the haves vs the have-nots.
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The plot for They Live is full of black holes, the acting is wretched, the effects are second-rate. In fact, the whole thing is so preposterous it makes "V" look like "Masterpiece Theatre." [5 Nov 1988]
User score distribution:
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Positive: 9 out of 9
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Mixed: 0 out of 9
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6It's only sparingly interesting and sluggishly paced, but overall "They Live" still proves to be a slightly entertaining sociopolitical sci-fi flick.