Metascore
88

Universal acclaim - based on 30 Critics

Critic score distribution:
  1. Positive: 29 out of 30
  2. Negative: 0 out of 30
  1. 75
    I admire the closing scenes of the film, which seem to ask whether our civilization offers a cure for Vincent's complaint.
  2. 75
    For those with the patience to sit through this kind of unhurried motion picture, Time Out offers a compelling character study of an individual under the kind of strain we can all relate to.
  3. 100
    Recoing gives a performance that won't soon be forgotten. Neither will Time Out. It's a great movie.
  4. 50
    Looks great but moves like molasses, is more interesting than truly involving.
  5. "Human Resources" was a good, straightforward tale, but Time Out is better. It's haunting. It's like a poem.
  6. A hushed, small-scale masterpiece that moves into the shadowlands of tragedy.
  7. Recoing's performance is a sensitive portrayal of a man in the throes of an excruciating spiritual crisis.
  8. Cantet has rich insights into this material, and brings them alive through sensitive acting and powerful filmmaking.
  9. Vincent is played masterfully by Aurelien Recoing, who gives him a sort of as-if anomie; this haunted hero is so detached that he may not realize he has no real life to be detached from.
  10. There's piercing sadness, and fury, too, in this Everyman's isolation, and Cantet is singularly skilled at evoking the universal condition of such tragic ordinariness.
  11. Not just an especially subtle and thoughtful psychological drama, it's a provocative, even an unnerving one as well.
  12. Reviewed by: Ken Fox
    80
    Look carefully at that final scene; few happy endings have ever felt so downbeat.
  13. Reviewed by: David Edelstein
    90
    It's like an Ingmar Bergman film with the loss of religious faith replaced with a sort of socioeconomic nebulousness.
  14. 75
    The movie isn't a thriller, but it has the tension of a thriller, and its cool, icy tone, deliberate pacing and clean, antiseptic lines are reminiscent of Kubrick and Antonioni.
  15. 100
    Cantet's masterful study of a white-collar businessman in decline.
  16. A well-crafted indictment of the dark side of the modern work ethic.
  17. 91
    Recoing's performance is chillingly low-key -- sometimes you can swear that he believes his own fictions -- and Livrozet, making his film debut, has a perfect long-in-the-tooth charm.
  18. Skip work to see it at the first opportunity.
  19. This is a documentarylike film about a man who creates a castle in the air and then moves right in, the "Harold and the Purple Crayon" of the workplace.
  20. 88
    If the movie has a flaw, it's that the working out of Vincent's psychology is too perfect.
  21. It's a chilly, lonely introduction to a man who has effectively stepped out of the social world of adult responsibility.
  22. Reviewed by: David Ansen
    90
    It has the stately, well-crafted anxiety of a Hitchcock movie, except that the protagonist and antagonist are one and the same.
  23. 100
    This movie makes one grateful that a serious European art cinema still exists. [15 April 2002, p. 88]
  24. Reviewed by: David Rooney
    90
    Theater veteran Recoing is utterly compelling. Both the script and the resourceful, subtle actor provide enormous insight into the troubled character.
  25. 80
    Recoing's meta-performance is an unemphatic marvel, his placid countenance stretched tight over telltale flickers: a quickly suppressed smirk of incredulous delight, a nervous twitch of chagrin, an abrupt pang of guilt.
  26. Faultlessly truthful in its observations.
  27. A subtle mood piece in which a man's collapse is examined so rigorously that one almost hopes for a murder to come along and break the tension.
  28. Reviewed by: Rich Cline
    80
    This is brilliant filmmaking.
  29. Reviewed by: Leighton Klein
    88
    Cantet's script and direction are flawless, and, matched step-for-step by Jocelyn Pook's mournful score, he builds the tension to near unbearable levels.

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