- Studio: Strand Releasing
- Release Date: Apr 8, 2011
- Critic Score
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91To Die Like a Man deserves your attention for showcasing a filmmaker with the capacity for bold narrative trickery that doesn't come at the expense of emotional investment.
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80The film suddenly gains in power, until it fulfills the promise of its title with hard-hitting compassion and a crystal-clear sense of grace.
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80A mysterious, fabulously sad fable.
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75The title leaves no doubt about the ending but, thanks to Santos's unflinching performance and Rodrigues's continued audaciousness, the climax still takes us aback.
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75To Die Like A Man is powerfully controlled, and builds to a moving finale in which the characters are stripped down to their essences: no flowers, just stem.
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70For all its melodrama To Die Like a Man is a not a tearjerker. Its gaze into the void is as unblinking as that of the H.I.V.-positive 60-year-old hustler in Jacques Nolot's even more hard-headed film, "Before I Forget."
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40Strictly for patient, gay-friendly audiences, this drawn-out melodrama about an ageing drag star in overstays its welcome.
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25The praise for this static, overlong, stagebound work is a mystery to me.