Metascore
77

Generally favorable reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 11 out of 11
  2. Mixed: 0 out of 11
  3. Negative: 0 out of 11
  1. Reviewed by: David Parkinson
    80
    A joyous exploration of family life that will touch and surprise.
  2. Nature smiles upon Alamar, just as it did on the simple, unfussy charms of "The Black Stallion" some 30 years ago.
  3. A beguiling cross between fiction and non-fiction, Alamar regards the relationship three Mexican males have with the sea.
  4. 80
    Alamar provides a nearly hypnotic immersion in the brilliantly aqua, impossibly tranquil Caribbean--a Paradise Regained not just for Natan, but for everyone
  5. It is to González-Rubio's credit that he can celebrate nature so joyously, yet suggest neither the preferred lifestyle of either parent is superior to the other.
  6. The characters in Alamar may be playing versions of themselves, but the writer, editor and director Pedro González-Rubio has constructed a film in which the journey has an overarching mythic resonance that evokes fables from "Robinson Crusoe" to "The Old Man and the Sea."
  7. Reviewed by: Jay Weissberg
    80
    A lovely, soulful feature from multihyphenate Pedro Gonzalez-Rubio that plays on the border between documentary and fiction.
  8. 75
    The plot of the gorgeous Mexican film Alamar -- a father-son vacation -- isn't what Hollywood calls "high concept." But thanks to director-cinematographer-editor Pedro Gonzalez-Rubio, the film might be called "high enjoyment."
  9. Reviewed by: David Lewis
    75
    A deceptively simple but enchanting story about a father who bonds with his young son on the Mexican sea, accomplishes something quite complex: It provides a breathtaking sense of place, chronicles in intimate detail a way of life, and touches us with a relationship that develops naturally, right before our eyes.
  10. 75
    A luminous love letter to the Banco Chinchorro, the largest coral reef off Mexico's coast, and to the tender bonds between a father and son.
  11. 75
    There isn't much to Alamar--and González-Rubio sometimes seems to go out of his way to keep the film uncluttered by incident-but it's short and agreeable, and touching.

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