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Mixed or average reviews - based on 41 Critics What's this?

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Mixed or average reviews- based on 281 Ratings

  • Starring: Bokeem Woodbine, Bryan Cranston, Colin Farrell
  • Summary: "Total Recall" is an action thriller about reality and memory, inspired anew by the famous short story “We Can Remember It For You Wholesale” by Philip K. Dick. Welcome to Rekall, the company that can turn your dreams into real memories. For a factory worker named Douglas Quaid, even though ugh he's got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life - real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man. Finding himself on the run from the police – controlled by Chancellor Cohaagen, the leader of the free world – Quaid teams up with a rebel fighter to find the head of the underground resistance and stop Cohaagen. The line between fantasy and reality gets blurred and the fate of his world hangs in the balance as Quaid discovers his true identity, his true love, and his true fate. (Columbia Pictures) Expand
Score distribution:
  1. Positive: 9 out of 41
  2. Negative: 7 out of 41
  1. Reviewed by: Joe Williams
    Aug 2, 2012
    88
    The richly constructed first hour is so superior to any feat of sci-fi speculation since "Minority Report" that the bland aftertaste of the chase finale is quickly forgotten.
  2. Reviewed by: Roger Ebert
    Aug 1, 2012
    75
    Total Recall is well-crafted, high energy sci-fi. Like all stories inspired by Philip K. Dick, it deals with intriguing ideas. It never touched me emotionally, though, the way the 1990 film did, and strictly speaking, isn't necessary.
  3. Reviewed by: A. A. Dowd
    Aug 5, 2012
    60
    Wiseman's Total reboot won't betray your fond memories of its iconic predecessor. But those hoping for a real head trip - a truly cerebral Dick adaptation - will have to keep waiting.
  4. Reviewed by: Kyle Smith
    Aug 3, 2012
    38
    As for a villain, you could do worse than Bryan Cranston as the evil political overlord who is trying to stamp out the resistance -- When he goes mano a mano with Farrell, it's not spine-tingling. It's embarrassing, like watching a dude beat up his dad.

See all 41 Critic Reviews

Score distribution:
  1. Positive: 58 out of 98
  2. Negative: 23 out of 98
  1. So I immediately don't know what to say about the movie. The PG-13 pops up & my heart drops. But a movie deserves a critic rating equal to the value it will hold in your heart. I haven't actually gone past the 5 minute & 59 second marker yet- as this movie is obviously rated improperly in the best way of my life. Not only do I get to see Kate Beckinsale's dreamy figure in white panties (which struck me odd for the rating) but then my ridiculously acute eye notices what I thought at first to be a smudge in a single frame. It's no frame jump of any kind, its completely Kate Beckinsale's vagina showing through those knickers as clear as day. My life is complete.. Expand
  2. 8
    Before I launch into some gleeful pointing out of this movie's plentiful plot holes, I want to say that I thoroughly enjoyed Total Recall. Possibly because it borrowed from some of my favorite movies. Not just Total Recall, but also hints of The Matrix, Fifth Element, and Mr. and Mrs. Smith found their way in, with perhaps a dash of Terminator and a sprinkle of Johnny Mnemonic, to name a few.

    Also, the special effects were excellent, and the protagonist and his love interest were relentlessly appealing, not to mention almost supernaturally attractive. The final five minutes might have viewers grown weary of climatic fist fight scenes rolling their eyes, but other than that, it was well paced and extremely enjoyable.

    Now, on to pointing out plot holes. Warning, spoilers ahead!

    If you have the technology to send your wage slaves through the core of the Earth to build your robot army for you, you would have the technology to create radiation proof housing, with proper ventilation and tasteful decoration, to ease overcrowding. If you have the technology to create robot forces, you have the technology to create robots to make your robots, so you don't need wage slaves traveling through the core of the Earth (however cool and essential to the plot that mode of transportation might be), to make your robot army for you.

    One also wonders why the only way to travel from what was once Australia to what was once Europe is through the core of the Earth. Sure, it's fast, but it was really the only way post-apocalyptic blue collar workers could commute? But then again, because it was made clear that this mode of transportation is the only mode of transportation, it really helped wrap the plot up neatly.

    It also seems that humanity, while creating a robot army, a subway tunnel through the Earth, and a cellphone implant, failed to create a way to subdue a civilian population that didn't involve a troop transport of soldiers marching in, however robotic the rank and file of those soldiers might be. Of course, they wouldn't want to simply blow the civilian population up, seeing as how, for some bizarre reason, they still needed human workers.

    And clearly the human workers needed subduing by the robot forces, because even though the evil overlords in Europe had the technology to completely wipe a person's memory, they must not be able to create Stepford Aussies to do their work for them.
    Expand
  3. Don't bother to compare this "reboot" to original. It
  4. This review contains spoilers, click expand to view. If you're looking for a great example of a director destroying the story they are trying to tell, you've come to the right place. The novelty of the story has been completely butchered by a director (Len Wiseman) that doesn't seem to understand how to use perspective. If the audience is meant to question whether what they are watching is reality or implanted memories, the story has to be told from the perspective of Quaid (Colin Ferrell). Wiseman, however, frequently breaks away from the main character and shows the audience scenes that Quaid isn't even in. This destroys any illusion that the story is only taking place inside Quaid's head. How can you remember something you weren't even there for? Apart from the perspective debacle, the story is just a complete mess, with plot holes and inconsistencies waiting around every turn. The action, on the other hand, would have be great, if I hadn't already seen it in Minority Report. Expand

See all 98 User Reviews

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