- Studio: IFC Films
- Release Date: Jan 23, 2004
- Critic Score
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100The most harrowing movie about mountain climbing I have seen, or can imagine.
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100For audiences, two things keep the tension from becoming too excruciating: the presence of the survivors in front of us and the knowledge that in the grip of Macdonald's humane, lucid filmmaking, we're in the best of hands.
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100Warms the heart while chilling the bones.
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100By the end of this white-knuckle movie, you stand in awe at the depth of man's will to survive. Touching the Void leaves you emotionally and physically spent, and grateful it was only a movie, not a mountain, you had to endure.
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100An absolutely thrilling recreation, in documentary style, of a now-legendary story.
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90Factoring in Mike Eley's breathtakingly vivid photography and a virtuoso sound mix that completely envelops the viewer, it's enough to make you never again want to poke your head into the freezer.
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90As a piece of inspirationalism about human stamina, Touching the Void is peerless, but what it doesn't--perhaps can't--explain is why people place themselves in such peril.
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90Breathtaking stuff that freezes the toes, harrows the soul and turns the viewer's seat into a foot-wide ledge over a yawning chasm.
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90One of Void's great strengths is that it doesn't say much about "voids." It simply shows us, in incredibly vivid detail, heart-stopping danger and the raw will to survive.
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90Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.
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90Tells a tale of fortitude that comes not from muscle but from the ineffable, bungee-like sinew that is the human spirit.
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90Kevin Macdonald has a terrific tale on his hands, and his telling of it, very British in its matter-of-factness, can barely be faulted; yet the facts drop away, and it becomes impossible not to read the movie symbolically--as a journey to the center of the earth, or farther still.
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90Something of a tour de force, this adaptation of Joe Simpson's nonfiction book about his climbing the 21,000-foot Siula Grande mountain in Peru, breaking a leg, and eventually making it back alive is remarkable simply because the story seems unfilmable.
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88So well cast and well captured is Touching the Void that it suspends disbelief, making us feel as if we're actually watching Simpson's own icy version of Dante's "Inferno."
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88A stunning achievement, every bit the equal of the classic moun taineering book which inspired it.
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Touching the Void is, indeed, about living, but not the exhilarating kind. It's about survival -- raw, real, by force of will.
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88As sagas of endurance in the face of ridiculous odds go, this story is up there with Shackleton and ''Into Thin Air.''
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88Truth, they say, is stranger than fiction and also potentially more nail-biting and harder to believe. Touching the Void is an extreme example of this.
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83The story itself is so powerful and troubling, the moral geometry so vertiginous, and the photography so big that anything other than the natural sounds of snowfall and footfall is a Flat Earth Society intrusion.
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83It's a gripping outdoor adventure and the movies' most inspiring epic survival story in years.
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80Suffice it to say that MacDonald has made the finest mountain climbing movie you are likely ever to come across. The cinematography is awesome, the score by Alex Heffes terrific, the reenactments remarkably credible.
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80Unexpectedly bridges genres -- it's a buddy movie, a horror story, a boy's-own adventure, and a near metaphysical meditation on the limits of human endurance.
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80The film, directed almost with fierceness by Kevin Macdonald, is a wondrous recreation of that physical adventure. The most profound element, the moral crux, is skimped, but I kept wondering, not so much about the actors who were playing Simpson and Yates, as about the cameramen who were photographing them on that icy face, possibly suspended while they were doing it.
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75Don't miss this harrowing movie if you're in the mood for adventure more thrilling than anything Hollywood has to offer these days.
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75Even for a sport already filled with horrific accidents and tales of unlikely survival, the mountain-climbing nightmare told in Touching the Void is astonishing.
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75Real acting replaces re-enacting, and amazing cinematography pits the limits of human will against the unruliness of nature.
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75It's also mysterious in fresh ways. Like Hillary, Yates and Simpson climbed the mountain because it was there -- but what strange deity sent down a Boney M song to help Joe Simpson get home?
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70At its heart, Touching The Void contends with the physical and spiritual dilemma of facing the unknown and overcoming paralyzing fear in order to emerge reborn on the other side. But the film's appeal is even more fundamental than that: It's just one of those stories that catches the breath, no matter how often it's told.
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67Without really understanding what drove these two men to attempt the risky climb in the first place, its hard to extend the requisite sympathy for their plight. A void was definitely touched in this movie, and it was inside me.
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63Simpson and Yates give a good idea why individuals are drawn to extreme sports.
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60Stunningly beautiful scenery and the nearly unbelievable true story of a mountain-climbing expedition gone awry to chilling effect.
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60It's a nervy, quasi-documentary scheme that's often successful, perhaps more so than you'd expect for this kind of a hybrid endeavor. But Macdonald's technique eventually turns out to be as distancing as it is involving, paradoxically undercutting the reality as often as it enhances it.
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60This is compelling stuff, but there is something deeply distracting in the use of recreated material.
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60It's true that the movie, arrested between documentary and drama, doesn't quite do justice to either medium: The actors playing Joe and Simon don't have anything like "lines" to simulate "drama," or even just "conversation," while the real guys often fall back on bland English understatement.
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User score distribution:
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Positive: 18 out of 20
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Mixed: 1 out of 20
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Negative: 1 out of 20
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AliC10
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RoryM.10
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amurabim.7Drama? documentary? its biggest problem is that it can´t define itself.