Trainspotting
Metascore
83 out of 100

Universal acclaim - based on 27 Critics

Critic score distribution:
  1. Positive: 25 out of 27
  2. Mixed: 2 out of 27
  3. Negative: 0 out of 27
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  1. Mr. Showbiz
    Reviewed by: F. X. Feeney
    87
    It's a disturbing film in the best sense.
  2. San Francisco Examiner
    Reviewed by: Barry Walters
    100
    Extraordinary, entertaining cinema.
  3. USA Today
    Reviewed by: Mike Clark
    88
    A movie that rudely flings feces at the breakfast table isn't for everyone.
  4. ReelViews
    Reviewed by: James Berardinelli
    88
    There's nothing new or unique about the story, but it is presented in a manner that reinforces its immediacy and impact.
  5. The Globe and Mail (Toronto)
    Reviewed by: Liam Lacey
    88
    A little like speeding through the digestive tract of some voracious beast. There's bite, acid, digestive churning and an expulsive conclusion. If the metaphor seems unsavoury, well, wait until you see the film.
  6. Austin Chronicle
    Reviewed by: Marjorie Baumgarten
    89
    The on-target performances, along with the unceasing barrage of popular music and daring narrative gambles, combine to make Trainspotting one of the grand movie rushes of 1996.
  7. Entertainment Weekly
    Reviewed by: Owen Gleiberman
    100
    It would be hard to imagine a movie about drugs, depravity, and all-around bad behavior more electrifying than Trainspotting.
  8. Salon.com
    Reviewed by: Charles Taylor
    100
    The most original, daring, thrilling movie to be released this year, Trainspotting is one of those occasional, astonishing triumphs of risk and imagination that gets you excited about what smart people, pushing themselves and the medium, can accomplish in the movies.
  9. Slate
    Reviewed by: Michael Wood
    100
    A desolate, fast, funny, scary film, and it takes more risks than any recent film.
  10. Los Angeles Times
    Reviewed by: Kenneth Turan
    90
    Exuberant and pitiless, profane yet eloquent, flush with the ability to create laughter out of unspeakable situations, Trainspotting is a drop-dead look at a dead-end lifestyle that has all the strength of its considerable contradictions.
  11. Time
    Reviewed by: Richard Corliss
    90
    The film is about joy--in conniving and surviving, in connecting with audiences, in its own fizzy, jizzy style.
  12. Variety
    Reviewed by: Derek Elley
    90
    Scabrous, brutal and hip, Trainspotting is a "Clockwork Orange" for the '90s.
  13. Chicago Tribune
    Reviewed by: Michael Wilmington
    100
    Heroin may be a downer, but Trainspotting definitely takes you up…a series of roaring, provocative, outrageous highs. [26 July 1996, Friday, p.C]
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  14. Film.com
    Reviewed by: Shannon Gee
    100
    Keeps you engaged in this story of a memorable anti-hero for our times.
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  15. TNT RoughCut
    Reviewed by: Jason Puskar
    90
    Irresistibly bleak appeal.
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User Reviews

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User Score
8.7 out of 10

Universal acclaim- based on 103 Ratings

User score distribution:
  1. Positive: 29 out of 31
  2. Mixed: 0 out of 31
  3. Negative: 2 out of 31
  1. rodericrinehart
    10
    This is a great movie. You will be shocked, and you won't want to turn away. Possibly one of the only English movies ever that might need subtitles. Superb beginning and ending.… Full Review »
  2. MichaelL.
    10
    A visceral and involving masterpiece of a movie. Every scene is pitch-perfect and you won't take your eyes off the screen until the credits roll. Well, unless you made the mistake of turning away as Renton dives headlong into a filthy, cloggged toilet, only to temporarily emerge in an underwater fantasy world. Takes the excellent source novel and narrows and tightens it in just the right ways for the screen.… Full Review »
  3. Halfwelshman
    10
    With the extraordinarily talented Danny Boyle at the helm, unflinchingly honest social commentary, a great cast and a fantastically funny script by regular Boyle collaborator John Hodge, Trainspotting, adapted from Irvine Welsh's iconic Scottish novel is a true masterpiece of British filmmaking. Following the turbulent and troubled lives of a group of young Scottish heroin addicts, the film takes a sympathetic view of the problem of drug addiction - rather than chastising them for the situation they find themselves in, it is sympathetic to the addicts' struggle and the vicious circle that traps them and slowly destroys their lives. It's among the most poignant and dramatically effective films discussing drug addiction, and Boyle is extremely adept at getting under the skin of his characters and showing what really makes them tick. The characters are an entertaining group of misfits, of particular note is central protagonist and narrator Renton (Ewan McGregor), a young man with aspirations of stability, and of happiness in his life, but who is utterly unable to survive without "one more hit", the violent and psychotic Begbie (Robert Carlyle), who refuses to take heroin but makes up for not doing drugs by "doing people" instead, and the childlike Spud (Ewan Bremner), the innocent fool of the group, and the most vulnerable to peer pressure. The cast make the very most of John Hodge's script, which channels the spirit of Irvine Welsh in a glorious explosion of heavily Scottish-accented sweary magnificence. As with many of Boyle's films, Trainspotting is a balancing act of light and shade. You'll have tears of mirth rolling down your cheeks one moment, when Renton is forced to make an emergency visit to "the worst toilet in Scotland", and you'll be devastated at the utterly tragic loss experienced by the characters a few scenes later. The film really does take you on an emotional rollercoaster - its a journey of highs and lows, and you can really feel for everything, both good and bad, that the characters go through. The film's nightmarish, appropriately trippy visuals (particularly in Renton's "cold turkey" montage), a memorable rock and dance-tinged soundtrack and Boyle's undeniable ability to maintaining the story's momentum and manic energy seals Trainspotting's position as a striking, emotional and affecting viewing experience. It's far more than a film about drug addiction - Trainspotting is about life, death and finding your place in the world. It's also, quite unexpectedly, one of the all-time great feelgood movies, and if you don't take anything else from the film, then take its unabashedly positive moral to heart, and "choose life".… Full Review »
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