- Studio: Strand Releasing
- Release Date: May 21, 2004
- Critic Score
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70Under Tierney's admirably low-key, unexploitative direction all his actors are memorable and never seem to be acting. Twist is decidedly dark but consistently engaging.
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70Shot on location in subdued colors, Twist offers much less hope for its troubled characters than Dickens did. Its very downbeat vision may turn off auds, which is a pity because the film has a great many qualities, not least the admirable performances of Stahl, Close and Pelletier.
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63Unfortunately, despite some strong performances, the movie never really makes a case for its own existence.
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63It's a mini-masterwork of acting. Stahl is definitely one to watch closely -- he's the real deal. But the emerging plot isn't.
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50There's nothing original, nor compelling, about Twist.
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50Although the acting is uneven and the movie's dead spots make it feel far longer than its running time, the twist in Twist' is certainly clever.
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40Tierney's so-serious script lacks any trace of humor, which might actually have made this depressing film feel a bit more real.
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40A stripling of 24, Tierney has a very young man's immature passion for unrelieved misery, which borders at times on the tedious, at others on the downright comical.
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Stahl plays just one note: anguish. You know things are bad when the most interesting character, the menacing brute Bill Sykes, is never heard or seen on-screen.
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40In both Twist and "Idaho," the act of placing a larger-than-life literary figure in a constrained, narrowly naturalistic environment merely strips the characters of their scale and interest.
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30Even more egregious than the film's concept is its execution, as it somehow manages to make scenes of drug addiction, hustling and even brotherly incest quite tedious.
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25More tedious than affecting.
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20An intriguing idea for about two seconds.
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