- Studio: Lionsgate
- Release Date: Mar 29, 2013
- Critic Score
- Most active
- Publication
- Most clicked
-
Mar 30, 201363When its third act erupts into full-blown theatrical maximalism, Tyler Perry's Temptation practically turns into Brian De Palma's Temptation.
-
Mar 29, 201358A few wild, third-act twists give Perry's middling melodrama some soap-opera kick. But all the finger-wagging sure does get tiring after a while.
-
Mar 29, 201340The mixed tones don't quite meld; While Smollet-Bell is fine, the broad comedy is so sporadic it feels out of place.
-
38Cranking out two formulaic movies like this a year show the Atlanta mogul’s true ambition — replacing all those soap operas TV is canceling, two hours at a time.
-
33It isn’t until Temptation grows flamboyantly bad in its final act that it rises to the level of good dumb fun in the trashy tradition of Perry’s most entertainingly awful films.
-
Apr 2, 201330Temptation’s refusal to find nuance in its didactic worldview ensures that the film will ultimately only succeed for audiences already in agreement with it.
-
30Limp pacing and countless shots of Washington’s skyline plague the narrative. Ms. Smollett-Bell exudes an earthy appeal, but it’s the charismatic Mr. Jones who steals the picture. Given all the stifling preachiness, that’s to be expected.
-
30Onscreen, it somehow manages to be at once wildly overblown and terminally boring.
-
Mar 29, 201330Significantly lacking in star wattage (including Perry’s own), this sluggish, relentlessly downbeat portrait of a young couple in crisis should play well to Perry’s fanbase.
-
30By any measure, 'Temptation' ranks amongst Tyler Perry's worst.
-
Jun 11, 201325The film is flat-out ludicrous from beginning to end.
-
20Apart from its dramatic predictability, Temptation is a snooze because of its languid pacing and rudimentary camerawork.
-
20Perry's ongoing disinterest in improving as a filmmaker is now seemingly part of his unshakable belief in himself, his insistence on doing his thing his way.
-
20That sort of fire-and-brimstone morality dominates this one-note sermon, which pairs its pedantic preaching with the campiness of Vanessa Williams speaking in an absurd French accent and Kim Kardashian as the protagonist’s bitchy fashionista coworker, vainly trying to act.