- Studio: Twentieth Century Fox Film Corporation
- Release Date: Nov 12, 2010
User Score
6.7
out of 10
Generally favorable reviews- based on 211 Ratings
User score distribution:
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Positive: 172 out of 211
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Mixed: 23 out of 211
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Negative: 16 out of 211
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Sep 22, 20114Predictable and cheesy acting. Almost feels like a bad 80's movie. The movie, moreover, had it's moments of suspense.
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Mar 12, 20113It doesnâ
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Jan 9, 20114This review contains spoilers, click expand to view.
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Apr 17, 20113Maybe I was expecting too much from this movie, given what I was told, but I was very disappointed. Itâ
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Apr 7, 20122
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Mar 20, 20111This review contains spoilers, click expand to view.
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Nov 2, 20120I seen this movie in the cinema expecting a Thrill ride, what I got was Speed 4 (The Father Ted Episode Speed 3 was more exciting than this movie), but only even more predictable, boring, stale... if not for the acting... I would have filed a petition to metacritic attempting to get them to add a minus rating to the score system and this would be sitting at -5 at least, waste of time and money.
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Sep 21, 20111
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Nov 20, 20104The main problem I had with this movie is how dull the story line is. Sure its original enough, but common, a train? and too finish the movie was a predicitlbe ending, wasn't compelled at all.
My advice; stick with pelam 123 if you want a good, compelling train movie. -
Nov 26, 20101The film occasionally keeps you on the edge of your seats, there are some good train shots on the bleak background of industrial Pennsylvania, but it's too predictable, has too much nonsense (how can you swiitch the leading engine to a side track but keep the runaway train going straight?...!), the acting is disappointing (except for Rosario Dawson) and the ending is incredibly lame.
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Nov 27, 20103Just an ok movie. To me, it was a rip off of Akira Korosawa's Runaway Train, which is a far better movie in every aspect, especially acting and plot.
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Feb 22, 20111
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75I wouldn't want to see five movies like this one each week but it's a cheeky, madcap joyride.
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75this is a straight-ahead ticking clock thriller, with the usual Tony S. trademarks - punchy dialogue and men doing what needs to be done.
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63Scott shoots and edits Unstoppable with roller-coaster momentum and an eye (and ear) on that roaring tonnage of steel.