Metascore
54

Mixed or average reviews - based on 8 Critics

Critic score distribution:
  1. Positive: 2 out of 8
  2. Negative: 1 out of 8
  1. 70
    As crafty and compelling as Aaron Aites and Audrey Ewell's Until the Light Takes Us is, it may go too far in its understandable desire to correct the bias and prejudice of mainstream journalism.
  2. 75
    Essentially amounts to an extended interview with a psycho, fleshed out with background material that, while suitably shocking, is not always illuminating or even frank. The film is curiously shy about calling Varg what he is: a Nazi.
  3. Contains fascinating footage – material from the 1980s that looks to be the work of angry, ancient Norse warriors. There is, however, almost no perspective here. Perhaps the filmmakers succumbed to a condition associated with a city east of Oslo – the Stockholm Syndrome.
  4. 38
    Talking heads are overused in documentaries, but in this case a dose of perspective, a point of view or two, would have a gone a long way toward turning a pageant of unreliable voices and morbid images into a portrait of the artists and their deadly scene as something more than misunderstood.
  5. Reviewed by: Steve Smith
    60
    Plainspoken music doc relies on firsthand testimony from band members and key observers.
  6. Reviewed by: Mike Hale
    60
    Absorbing, low-key documentary.
  7. Reviewed by: Nick Pinkerton
    50
    One artist favorably compares the homemade metal scene to state-supported "mediocre cultural activity"--as good a designation as any for Until the Light Takes Us.
  8. Reviewed by: John Anderson
    40
    Stylistic overreach and neglect of the uninitiated make Until the Light Takes Us a too-specialized examination of Norway's black-metal movement and the aberrant culture surrounding it.

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