- Studio: Miramax Films
- Release Date: Dec 25, 2000
- Critic Score
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90Boldly distinctive in its depiction of individuals caught up in a veritable infernal machine designed solely to give pleasure to a monarch, Vatel is a timeless tale of love and sacrifice in a world as opulent as it is cruel.
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70You could hardly ask for more from a historical spectacle: Silly wigs, plunging décolletage, lavish banquets in ornate halls, a stirring score from Ennio Morricone and witty dialogue by Tom Stoppard.
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70While the filmmakers are not above corset-drama bed-hopping and back-stabbing, it's delicious when the beds and backs belong to Uma Thurman, Tim Roth and Julian Sands.
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63The satire is surprisingly tepid.
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50Depardieu gives the story a firm center of gravity, aided by Joffé's eye for colorful settings and period detail.
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50Too much chaos, not enough heart. Bad for the digestion.
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50Although Vatel is trying to say something about freedom and gilded cages, it feels more like a behind-the-scenes look at the high-end catering business.
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50Vatel is dull and silly, but the holiday season doesn't offer a better sets-and-costumes workshop.
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50The movie wants desperately to function as a romantic tragedy, with passions glancing off the thoughtless pursuit of satisfaction. But Vatel can't really define the differences between the two; it settles into a period funk, as shallow as the court popinjays it seeks to expose.
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40Vatel, a no-expense-spared costumer, is further proof that all the money and technical expertise in the world are no substitutes for a good screenplay and creative direction.
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32Joffe's latest is a formless, inanimate lump.
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30Vatel is really about production design, so if you're not absolutely passionate about 18th century table-settings, wigs and bodices, you might as well just stay at home and watch the Food Channel.
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10This putrid dish marks a new low for director Roland Joffe.
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User score distribution:
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Positive: 7 out of 8
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Mixed: 0 out of 8
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Negative: 1 out of 8
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MaryD.10
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MarstenD.2