- Studio: Cowboy Booking International
- Release Date: Sep 7, 2001
- Critic Score
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90It is best to let this stunning film simply wash over you and trust that all will become clear enough in time. Vengo in a sense is a concert film tied together with the slenderest of plots.
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80Gatlif's latest celebration of gypsy soul, sets a modest sliver of narrative in a fabulous widescreen landscape and surrounds it with a permanent party.
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80Feels like a song you may have heard before, but one whose aching beauty makes it endlessly listenable.
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80There's just no arguing with 12 centuries of flamenco, and, in this sensuous movie, no resisting it.
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80Elegant flamenco tragedy.
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78There's a deep, bone-weary melancholy to the proceedings, offset by the mad parties and vicious displays of machismo.
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75Characteristically lacking in narrative -- but what it misses in traditional plot devices, it more than makes up for in passion.
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75Presents a darkly realistic yet seductive world, with music as the tie that binds.
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70On its own, the story is tepid, and less than original. What draws us in is the way in which Gatlif sets it against a rich Andalusian backdrop.
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70Music has always played a vital role in the films of Tony Gatlif, and in Vengo it finally threatens to take over, submerging the frail, familiar vendetta plotline.
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Filled with dazzling moments, Vengo never quite reaches the heights those moments promise.
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60A musical feast for eyes and ears alike.
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50There may be no more unusual movie around than Vengo.
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40All that this really amounts to is a lot of hot-headed, hairy men threatening each other -- whenever they're not dancing on table tops, that is.
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40The non-professional actors do their schmaltzy best with Gatlif and co-writer David Trueba's sparse dialogue and what appears to have been Gatlif's very limited direction.
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40Seems held back by vestiges of an old-fashioned format that Mr. Gatlif has long since outgrown.
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38Neither convincing nor remotely dramatic.
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