Generally favorable reviews - based on 25 Critics

Critic score distribution:
  1. Positive: 15 out of 25
  2. Negative: 1 out of 25
  1. 25
    The story lacks focus. The senses blur as wives and ex-wives come and go, and Harry regularly falls off the wagon, only to reform the next day.
User Score

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 4 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 1 out of 5
  1. ChadS.
    Mar 29, 2007
    Lauren(Miranda Richardson) wants to leave Swaziland because she's bored with life in the outback. Only incidentially does this British subject, this conscienceless woman of privilege, give something back to her adopted homeland. Lauren's gift is that she gets lost, if only for a little while. Her disdain for Africa seems so manifest, plot contrivance can be the only explanation for her return. "Wah Wah" is a film about people shut-off from the bigger picture. Through their eyes, Swaziland is simply home, and not the spoils that colonization entails. Even a nice American woman(or is she an "Ugly American" with manners) like Ruby(Emily Watson), who probably should know better(she lived through the Civil Rights Movement), never acknowledges her role of being an unwanted interloper. "Wah Wah" documents the end of British rule in the African colony, and thankfully, its subjects never express any remorse for their occupation. It would've felt tacked on, dishonest; because "Wah Wah" is about people whose arrogance has such a practiced sheen and polish, they turned their hubris into class. Their time in Swaziland may have been "Camelot" to them, but to the indigenous people, natives who Ralph(Nicholas Hoult) refers to as the subject of a National Geographic shoot, they probably suppressed the instinct to "kill a lot" behind their obedient, pacific faces when called upon to perform for their colonizers. Full Review »
  2. JonoN.
    Mar 12, 2007
    Delightful, engrossing and thorougly entertaining.
  3. RobertI.
    Feb 26, 2007
    Touches you emotionally in a way that an old-fashioned film can do: Swaziland becomes a metaphor for global change in the lives of strong characters.