- Studio: Drafthouse Films
- Release Date: Oct 5, 2012
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100Wake in Fright is the closest a movie can get to a primal scream.
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Oct 1, 2012100The film's vision of masculine self-sufficiency is built around--and on, via Australia's own bloody colonial history--an elemental violence.
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91As unpleasant as so many of its going-on are, Wake in Fright works both as an early instance of "Ozploitation" cinema and as a harsh critique of Australian colonialism and the absurdity of trying to bring so-called civilization to this vast arid wilderness.
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90As a strictly psychological portrait of destructive masculinity it's a gut-sock, vividly photographed, thrillingly edited and marked by performances (Donald Pleasence and Jack Thompson, most notably) that heave with strange complexity and dark camaraderie.Wake in Fright is true horror.
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90It's simultaneously terrifying and hilarious, a full-on shotgun blast to the face of rediscovered 1970s weirdness, something like finding out that there's a classic Peckinpah film you've never seen, or that Wes Craven and Bernardo Bertolucci got drunk in Sydney one weekend and decided to make a movie together.
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89Definitely not for the squeamish, Wake in Fright is calibrated for maximum psychic impact. Its madness is viral and disconcerting. Truly, you're going to want a stiff drink and a hot shower, or a noose, after visiting the Yabba.
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88Wake in Fright is essential viewing for anyone interested in the roots of male violence.
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88It's not dated. It is powerful, genuinely shocking and rather amazing.
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88Wake in Fright is a monster movie, and the monster is us.