User Score
8.2 out of 10

Universal acclaim- based on 81 Ratings

User score distribution:
  1. Positive: 72 out of 81
  2. Negative: 6 out of 81

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  1. aaronL.
    Mar 9, 2009
    2
    Animated views of war. No real plot. All the horrors of war, which we already know, shown to us through animation. I really did no like this movie, could not get into it, and felt it was a waste of time. It would be okay to expose someone to the follies of war, but even for that there are much better movies. I have never seen the critics so far off!
  2. SimonM
    Jun 26, 2009
    0
    Propaganda effort that attempts to excuse Israeli involvement in Lebanon. Cleverly done in admitting a portion of the blame and having the protagonists feeling amnesiac guilt. Ignores the current west bank and does not refer to it once despite the impossibility of ignoring it. No Lebanese co accused to share the blame in that I reckon.
  3. BobN
    Jul 4, 2009
    4
    Gotta say, I really wanted to like this film. Truth be told, it was sleep inducing. I understand the method: everything is in dreamstate or nightmare-realm untill the end-surprise-cut to live shot. The end is a great scene, but the rest of the film is lacking. Having experienced true horrors in my life, and having been to the depths of the human psyche, I appreciate the effort of this film...unfortunately, it all felt contrived, fake, and meaning to make a buck off of a sad-typical-soldier as victim but not story. Props for trying, but I believe this is a failure. Critics are way off on this one. Expand
  4. DroogD.
    Dec 27, 2008
    3
    Wonderful animation ... and incredibly boring.
Metascore

Universal acclaim - based on 33 Critics

Critic score distribution:
  1. Positive: 32 out of 33
  2. Negative: 0 out of 33
  1. Reviewed by: Dan Jolin
    100
    A bravura documentary which balances the personal and the political as it peers into the First Lebanon War, its animated approach never feeling like a novelty. Astonishing, unforgettable: you have to see it.
  2. Reviewed by: David Ansen
    90
    The images of war that Folman and his chief illustrator, David Polonsky, conjure up have a feverish, infernal beauty. Dreams and reality jumble together.
  3. Reviewed by: Peter Brunette
    60
    The chosen style of animation leads to a distracting choppiness that renders the movements, gestures and facial expressions of the interviewees unconvincing. The other problem is that, memory naturally being something that returns in fits and starts, the film is rarely able to sustain any consistent narrative thrust.