- Studio: Lions Gate Films Home Entertainment
- Release Date: May 9, 2003
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90Washington Heights, under De Villa's guidance, bubbles. Once more, as in comparable films, it creates a foreign nexus in a domestic setting -- a group of people who live in two cultures.
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88Made in a forthright, unfancy style and utilizing a cast of born naturals, Washington Heights deftly draws parallels between father and son's complicated relationship and the tensions that pulse through this predominantly Dominican American community.
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80A powerful no-frills drama. It's a film that never flinches from its colorful, if sometimes cruel namesake neighborhood and the people who populate it.
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80This well-paced film's realistic style and authentic locales are a perfect fit for the characters and their story.
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75De Villa's debut film is persuasively written and acted, if a tad rougher around the edges than one might wish.
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70One-upping Latino immigrant movies like "Luminarias" and "Tortilla Soup," Washington Heights zeroes in on go-getters (mostly of Dominican lineage) whose ambitions are transformed by familial demands.
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63Buoyed by strong performances from Perez and Miami-resident Milian, Washington Heights overcomes the familiarity of its premise through its passion and conviction.
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63De Villa has created a truthful representation of a colorful community.
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60Not surprisingly, the film is strongest when its characters are simply hanging out, shooting the breeze and venting their feelings, while moments of high drama occasionally fall flat.
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60Alfredo de Villa's Washington Heights feels stiff and overworked in places, and sometimes the acting is a bit awkward. And yet the story is both compelling and easy to identify with.
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60For all its untidiness, Washington Heights teems with life, and its star, Mr. Perez, has charisma to burn. The movie vividly depicts the interdependence and solidarity of people in working-class urban neighborhoods where residents really need one another.
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60Believable characters trump the retread plot and hokey message.
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58The performances are uniformly fine, with Perez showing a heavy amount of presence and complexity. It's no wonder the film works best when fixed on his face.
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50Promising yet problematic.
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