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Werckmeister Harmonies
Metascore
92 out of 100

Universal acclaim - based on 8 Critics

Critic score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
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  1. San Francisco Chronicle
    Reviewed by: Edward Guthmann
    100
    An indelible statement on loneliness and spiritual thirst.
  2. Christian Science Monitor
    Reviewed by: David Sterritt
    100
    This is as challenging as movies come, alluding to everything from philosopher Thomas Hobbes to the history of Western music.
  3. New York Post
    Reviewed by: V.A. Musetto
    100
    While Tarr's newest epic, Werckmeister Harmonies, isn't intended for the shopping-mall crowd, it is more viewer-friendly and will please adventurous moviegoers.
  4. The New York Times
    Reviewed by: Lawrence Van Gelder
    90
    Mysterious, poetic and allusive, The Werckmeister Harmonies beckons filmgoers who complain of the vapidity of Hollywood movie making and yearn for a film to ponder and debate.
  5. Variety
    Reviewed by: Derek Elley
    90
    A stunning feature -- another hypnotic meditation on popular demagogy and mental manipulation.
  6. New Times (L.A.)
    Reviewed by: Andy Klein
    90
    The pacing is slow, but the film is entrancing and earns a permanent place in the viewer's mind.
  7. TV Guide
    Reviewed by: Ken Fox
    80
    The film could easily be reduced to a parable of post-Communist Eastern Europe, but the allegory digs deeper into the very order of things, exemplified by 17th-century musicologist Andreas Werckmeister's arbitrary imposition of a "tempered" tonal system over naturally occurring tunings.
  8. Village Voice
    Reviewed by: J. Hoberman
    80
    A work of bravura filmmaking.
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User Reviews

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User Score
7.2 out of 10

Generally favorable reviews- based on 49 Ratings

User score distribution:
  1. Positive: 20 out of 30
  2. Mixed: 3 out of 30
  3. Negative: 7 out of 30
  1. Sindri
    8
    Skillfully structured - There are those filmmakers that have the ability to change our perception of film as a medium for telling stories through images and dialog, communicating with a universal audience and creating awareness. Directors like Campion, Loach, Bergman, Kubrick, Kieslowski and Tarkovsky are certainly some of those, and i had a similar experience after watching Bèla Tarr`s third feature, co-directed by Agnes Hranitzky, which tells the story of an utterly cold Hungarian town where the inhabitants await the arrival of a traveling circus which main attractions are a giant whale and a deformed speaking figure called The Prince. Most of the residents are suspicious about the upcoming event, but the local postman named Janus perceives it as a good sign. While viewing this film i instantly began thinking of other east European directors such as Alexandr Sokurov, Theo Angelopoulos and Andrei Zvyagintsev who's film are marked by their focus on visual composition, length, long takes and concise dialog. Bèla Tarr's dark and tender vision of life in a remote provincial town is filmed in black and white, contains 39 long takes during a runtime of 225 minutes, is told through long monologues and concentrated dialog, uses natural sounds and has an unforgettable instrumental theme song composed by the directors longtime companion Mihàly Vig. This theme song and the refined black and white photography which was created by four photographers, evokes the collective state of mind of the citizens in the town and elevates the powerful moods which becomes a large character within this skillfully structured film. "Werckmeister Harmonies" an adaptation of a novel called "The Melancholy Of Resistance" which was written by Làszlò Krazsnahorkai in 1989 and the movie title refers to Andreas Wercmeister (1645-1706), a composer from the Baroque era and a musical theorist. It is a chronologically narrated character study about a man who's faith is immensely challenged when he begins to realize what is actually happening to the human kind he so firmly believes in. The story written by Bèla Tarr and Làszlò Krazsnahorkai follows the main character during the course of one eventful day as he walks through the streets of his hometown looking for signs that will confirm his believes. The caring and childishly curious Janus is brought to life by German actor Lars Rudolph who appeared in Hal Hartley's "Flirt" (1995) and Tom Tykwer's "The Princess and the Warrior" (2000). With a mysterious face that expresses a string of emotions and a subtly underplayed performance, he creates a rare and intriguing character. I consider this slow-paced fictional drama as a small masterpiece that communicates it's message with conviction and tells a credible story that is not hard to follow, but not always easy to watch. Bèla Tarr and Agnes Hranitzky's directing is commendable, their realized vision is magnificent, the acting is overall convincing, the opening scene is a striking example of cinematic art and what eventually puts all the pieces together and pointedly contrasts the common feelings of sadness that imprisons the souls of this film, is Hungarian composer, poet and songwriter Mihàly Vig`s spiritual music.… Full Review »
  2. seank
    10
    Everything about this movie clicked for me. The acting was perfect, the long takes were mesmerizing, the symbolism was powerful, the metaphorical relationship of music to nature and man-made control, and everything else this movie had to offer was absolutely perfect. I loved it.… Full Review »
  3. davidg
    10
    If this is not among the top 10% of the thousands of movies that have been released in the world in the last hundred years, there must be a huge disconnect between popularity and quality: a problem with the idea of voting for the good itself.… Full Review »
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