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Generally favorable reviews - based on 26 Critics What's this?

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Generally favorable reviews- based on 12 Ratings

  • Starring: André Dussollier, Sabine Azéma
  • Summary: A wallet lost and found opens the door - slightly - to Georges and Marguerite’s romantic adventure. After examining the ID of its owner, it is not a simple matter for Georges to turn in to the police the red wallet he has found. Nor can Marguerite retrieve her wallet without being piqued witith curiosity about the person who found it. As George and Marguerite navigate the social protocols of giving and acknowledging thanks, turbulence enters their everyday lives. (Sony Classics) Expand
Score distribution:
  1. Positive: 17 out of 26
  2. Negative: 4 out of 26
  1. Reviewed by: Richard Corliss
    Dec 14, 2010
    100
    It's a cocktail-party movie with a Molotov-cocktail finish: a tribute to the 88-year-old auteur's artistry - and his con artistry as well.
  2. Reviewed by: David Parkinson
    80
    A typically poignant lifestory illuminated by strong turns from Dussollier and Azéma, Alain Resnais' latest is one to stir the brain as well as the heart.
  3. 60
    Wild Grass retains a literary feel with the help of an unseen narrator, who offers intriguing poetic observations. And Resnais' visuals are equally lyrical. What can you say: The French sure know how to make pretty pictures.
  4. The worst kind of avant-garde film, one that hides its lack of commitment to the story, the characters and the genre under cover of being experimental. It mocks form and plays with form but offers nothing in its place, just boredom, emptiness and the oldest metaphor in captivity, about grass coming up through concrete.

See all 26 Critic Reviews

Score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. Itâ
  2. If you're a filmgoer who needs neat, tidy plot lines and a tightly wrapped ending, do not go see this movie. If you're a fan of being provoked and/or incited by a director (think Von Trier or Haneke), you'll love it. It's one long meditation on our expectations as well-trained, Pavlovian, Hollywood-fed viewers. It's fantastic. Expand
  3. With a surrealist spin on romantic comedy, Alain Resnais' Wild Grass features fully realized characters wrapped up in life's sublime silliness. It's a playful film that tantalizes us as mystery deepens. If Georges Palet (Andre Dussollier) is caught up in imagination, Marguerite (Sabine Azema) is drawn in by empathy for her benevolent stalker, a man in his sixties with memory loss who yearns for some genuine adventure in life.

    Marguerite, a 50-ish dentist weary of inflicting pain, falls in love with the idea of Georges falling in love with her. It all begins when she has her purse snatched one day by a rollerblader in a Paris shopping mall. Her bright yellow bag floats through the air, fashionable and fanciful. Marguerite's red wallet (which matches her shock of red hair), shows up empty of cash but intact near Georges' car.

    By the time Georges returns her wallet to the police, he is already enamored with the woman he's never met. After all, she has a pilot's license! The possibilities are endless.

    Marguerite calls Georges to thank him. When they finally meet, he deadpans, "You love me, then." The fact that Georges is married to a young wife Suzanne (Anne Consigny) is almost irrelevant. As the balance of power shifts and Marguerite pursues Georges, she befriends Suzanne and inserts herself as a friend of the family.

    With many asides and allusions, Wild Grass is worth seeing twice to savor its complexity. It doesnâ
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