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88Wyatt Earp is a fascinating ride to a West where darkness and heroism mingle, a triumph for Kasdan, Costner, Quaid and the company. It shows how, in this frontier crucible, love and death, honor and slaughter, friendship and a walk toward doom, are all linked together as well. [24 Jun 1994, p.F]
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88Kevin Costner's epic Wyatt Earp literally and figuratively gives you more of the legendary lawman than any of the other famous movies about him. [24 Jun 1994, p.47]
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63Every hair is in place in writer-director Lawrence Kasdan's epic-length Wyatt Earp. What's missing is a heart. Yet if this large-scale western is a bore, at least it's a beautiful one. [24 Jun 1994, p.C1]
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63Wyatt Earp's attempts to cover so many years lead to too many scenes with little emotional power. The film doesn't shoot blanks, and it is better than Tombstone, but, considering the names involved, a little disappointment isn't out of the question.
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60Tedious Western, that's a disappointment given the talent involved.
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60Impressive but uninviting, Wyatt Earp is easier to admire from a distance than pull up a chair and enjoy close-up. A self-conscious attempt at epic filmmaking that feels orchestrated as much as directed, it has noticeable virtues but chooses not to wear them lightly. And at three hours plus, it finally encourages audiences to feel as trail weary and exhausted as any of its characters. [24 Jun 1994, p.1]
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As a mindless popcorn shootout, Wyatt Earp is highly watchable. But this three-hour drama, starring Kevin Costner as the straight-shooting marshal, takes its time sliding out of the saddle.
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50It's a rambling, unfocused biography of Wyatt Earp, starting when he's a kid and following his development from an awkward would-be lawyer into a slick gunslinger. This is a long journey, in a three-hour film that needs better pacing.
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50Most damaging to the film, however, is Costner's dull, listless performance as Earp. He simply lacks the gravity and stature necessary to handle the mythic baggage of this emblematic American role.
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50Borderline ponderous in hour one, Wyatt Earp picks up once it reaches Dodge, thanks in part to drolly delivered guffaw lines from sunken-cheeked Dennis Quaid, who lost 43 pounds to play tubercular Doc Holliday. [24 Jun 1994, p.1D]
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It all comes off as too sketchy and too obvious, and after 90 minutes, we're bloated with incidents but still hungry for satisfying drama.
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50This strenuously dark biographical Western plays more like a choppy, self-important miniseries.
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Yet a film that tries so hard to offer intelligent entertainment too often forgets to entertain. The famous showdown in Tombstone...one of the most famous scenes in all of Western legend is anti-climactic.
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50These are very small pleasures, indeed, that can be taken as gasps of air in a movie that unwinds for what seems like forever in a complete vacuum. [23 Jun 1994, p.A12]
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50This is standard plot material in most respects, and Kasdan has done little to make it seem new. Fans of time-tested formulas may applaud his fidelity to the genre, but others will wish he'd come up with a few original notions to energize this very long picture.
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40If you're going to ask an audience to sit through a three-hour, nine-minute rendition of an oft-told story, it would help to have a strong point of view on your material and an urgent reason to relate it. Such is not the case with Wyatt Earp, a handsome, grandiose gentleman's Western that tries to tell evenhandedly more about the famous Tombstone lawman than has ever before been put onscreen.
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38Do we at least perk up during the ol' gunfight at the O.K. Corral, or the vacant lot at Fremont Street, or wherever the hell it did take place? Sorry. Kasdan never was an action director, and he clearly hasn't gone to school for this flick. Bang, bang, I'm dead, you're not, next scene - I've seen livelier shoot-outs at a soccer match. [24 Jun 1994, p.D1]
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30Running beyond three hours, the movie more than overstays its welcome, and despite some vague genuflections in the general direction of The Godfather regarding family ties and revenge, there are simply too many years and locations covered, too many crane shots and rainstorms.
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20Wyatt Earp drones past its logical conclusion, which is, of course, the great shoot-out. Since Earp's life uninstructively limped along after that event, so must the movie, further abusing our overtaxed patience and undertaxed intelligence.
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20Wyatt Earp, a bio-pic that lasts more than three hours and moves with the urgency of a grazing buffalo, lacks everything from a coherent dramatic structure to a clearly articulated point of view.
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LBooher4Too long and too involved, but great photography.