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100So many movies try to capture human relationships and fail miserably. A few come close. Your Sister's Sister nails it with grace, humor and winning charm.
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91Each an actor of distinctive delicacy, Duplass, DeWitt, and Blunt do some of their subtlest, most sweetly calibrated work ever, playing off one another with the kind of ease and trust that is, in itself, a demonstration of love.
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91Duplass' feisty energy is matched by DeWitt's constant smarminess, while Blunt's shy, fragile behavior balances off the forceful personalities surrounding her.
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88This is a smart, moving film that's also very, very funny.
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80It's a mark of Shelton's ability to create living characters from seemingly minor shared moments -- the ones that wind up meaning everything.
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80This film's only real stumble is its ending, which is so predictable it seems like a bit of a copout.
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80There is a looseness to the dialogue that suits the mood of the story-each character gets his or her own bombshell (or two) to digest and has to figure out how to cope with it.
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80In some mumblecore movies the semi-improvised dialogue can be engulfed by hipster irony, but the acting here is so skilled, and the emotional terrain so rocky, that Shelton manages to break past the genre's narrow social parameters to a moving story of grief, betrayal, and devotion.
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80Nothing about the movie is showy, except for Shelton's palpable love of good people making a mess of things. Barring some late-inning coyness, it's some of the truest, dinged-heart couples' circling of the year.
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Jun 9, 201280A captivating examination of criss-crossing relationships permeated by incisive performances.
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80After putting male insecurity under a comic microscope in "Humpday," writer-director Lynn Shelton hands the fairer sex a more prominent role in Your Sister's Sister, another winning study of relational boundaries crossed and sexual dares gone awry.
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75Shelton and her cast are so skillful that before long it seems we are not moviegoers watching a screen but flies on a wall witnessing real encounters and the beauty of the Pacific Northwest.
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75More good than bad, at least until its too tidy conclusion. Since it's essentially a three-character movie, it's a good thing that the characters, and the actors who play them, can hold the screen.
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75This extremely well-acted dramatic farce of grief and betrayal actually has a resonance beyond its target demographic.
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75Very little is simple in Your Sister's Sister -- not the emotions, the naturalistic tone or the unstudied, easygoing performances. But the film's pleasures are.
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75Relationships are killers, and this tough, tender, deeply satisfying romantic comedy from writer-director Lynn Shelton is also bruisingly funny.
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75The way this unfolds is surprisingly engaging.
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70Only at the end do we sense Shelton forcing her hand, and arranging, rather too neatly, for the rebalancing and desaddening of all concerned. [25 June 2012, p.85]
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70As in "Humpday," this movie's dialogue moves with a freshness and spontaneity that sounds improvised, even as the precisely marked story beats reveal the writer/director's hand at work.
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70Lynn Shelton's lovely tale of swirling feelings was shot in a mere 12 days, on a budget that must have been minuscule. A couple of minutes after it's started, though, you know you're in the presence of people who will surprise and delight you.
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70Following up "Humpday" with another low-rent charmer, Lynn Shelton moves from two- to three-character dynamics.
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67The film's conceits may be a bit too contrived and conventional, but nothing about these characters' interactions are forced. Your Sister's Sister is a welcome guest.
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63It's pleasant as far as it goes. For all the blithe interaction among the central three performers, however, the material's conventional and predictable.
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Jun 9, 201263For long stretches in its first two acts, Lynn Shelton's film is distinguished by a disarming sense of freedom and spontaneity.
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60It's probably the best three-star movie this month. An effortless, emotional, funny little indie that few people will see. Be one of them.
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60The film's late swerves into melodrama and the neighboring region of farce feel panicky and pandering. The subtlety of the performances - Ms. DeWitt's in particular - is sacrificed for easy laughs, shallow tears and a coy trick ending. Just when it was starting to get interesting.
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60As Alex Ross Perry's "The Color Wheel" - another micro-budgeted sibling story - shows, a film about relentlessly repellent characters is much more fascinating, if not courageous, than one that tries to explain, redeem, or forgive them so easily.
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58This time out, Shelton seems to be playing the part of someone who doesn't know how to finish what she started.
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50This three-hander has an honesty and a momentum that I found grudgingly rewarding.
User score distribution:
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Positive: 6 out of 12
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Mixed: 0 out of 12
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Negative: 6 out of 12
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8This review contains spoilers, click full review link to view.
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