Metascore
72

Generally favorable reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 24 out of 29
  2. Negative: 0 out of 29
  1. Reviewed by: Claudia Puig
    Jun 28, 2012
    100
    So many movies try to capture human relationships and fail miserably. A few come close. Your Sister's Sister nails it with grace, humor and winning charm.
  2. Reviewed by: Lisa Schwarzbaum
    Jun 13, 2012
    91
    Each an actor of distinctive delicacy, Duplass, DeWitt, and Blunt do some of their subtlest, most sweetly calibrated work ever, playing off one another with the kind of ease and trust that is, in itself, a demonstration of love.
  3. Reviewed by: Eric Kohn
    Jun 10, 2012
    91
    Duplass' feisty energy is matched by DeWitt's constant smarminess, while Blunt's shy, fragile behavior balances off the forceful personalities surrounding her.
  4. Reviewed by: Calvin Wilson
    Jun 29, 2012
    88
    This is a smart, moving film that's also very, very funny.
User Score
6.3

Generally favorable reviews- based on 41 Ratings

User score distribution:
  1. Positive: 8 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 6 out of 14
  1. Aug 10, 2012
    8
    This review contains spoilers, click full review link to view. The ending's a bit too saccharine, but there's a great script and even better acting here, as Emily Blunt really gets to flex her muscles in this one and, in doing so, steals the movie. Full Review »
  2. Jul 13, 2012
    7
    Even though Your Sister's Sister is set mostly in the open air of a secluded area of a Puget Sound island, it feels a bit claustrophobic because of the very small cast. There are only three characters who perform 99% of the film's interactions and there are only so many combinations a screenplay can invent to pair two of them off at any given time. There are long, drawn out conversations which have an improvisational feeling about them and are enjoyable to sit back and watch. Audiences conditioned to expect quick cuts, brief sequences, and pointed dialogue may grow impatient with the extended length of scenes, but for those who relish real situations and characters who take more than a few minutes to develop will enjoy getting to know these people, quirks and all.

    Jack (Mark Duplass) appears, just by looking at him, to be having a rough time. There are bags under his eyes, he has a few extra pounds, probably from too much booze, he is unemployed, and social conversations he attempts to contribute to have a way of ending awkwardly and uncomfortable for all in the room. His brother died a year ago and he still has no idea how to move on from that. His best friend happens to be his deceased brother's ex-girlfriend Iris (Emily Blunt). Perhaps this is Jack's way of hanging on to something his brother once had. Iris cares for Jack and after one of his completely inappropriate diatribes, she orders him to get on his old bike, peddle down to the Seattle ferry, and go spend a week alone in the woods at her father's cabin. Perhaps some solitude and introspection will kick him out of his funk.

    The cabin is not empty though. Someone else with life problems decided to squirrel away there; this is Iris's sister, Hannah (Rosemarie DeWitt). Jack and Hannah recognize a bit of themselves in each other, mainly the self loathing bits, and realize that first night together at the cabin that talking about your problems to a stranger over a bottle of tequila is oddly cathartic. Hannah just walked out of a very long-term relationship with her girlfriend and all of their long-term plans they had together. Both Jack and Hannah are searching for what they should do next in life, where to go, and how to change to get there; so maybe this is why they drunkenly end up in bed together.

    The film sets itself up to go in many directions. It could have been self-destructive depression for Jack. It could have been a modern west coast version of Walden for lost souls. However, it chose to become a somewhat comedic love triangle. Iris shows up at the cabin early the next morning and Jack decides she does not need to know what happened last night with Hannah. Each of them maintains their own respective agendas and watching them emerge and conflict with one another is amusing and intriguing to wonder how it may play out. Jack is nervous about the truth being revealed, Iris has her own secrets, and Hannah may be trumping them all. This talk about secrets makes Your Sister's Sister sound devious and manipulative but it is not; somehow, the script keeps the atmosphere light and airy.

    Writer/director Lynn Shelton has worked with Mark Duplass previously (Humpday) and the summer of 2012 appears to be his emergence to a wider indie public. He has three films in theaters simultaneously (Your Sister's Sister, Safety Not Guaranteed, People Like Us) and reminds me of Jessica Chastain from 2011 who came out of nowhere and seemed to be in a new release every single weekend. British actress Emily Blunt keeps her accent for this film and the plot noticeably includes a few sentences as to why that is. Her being British is not necessary to the film so waiting to see how they end up explaining away her accent causes a bit of an eye roll but it is not too distracting. Rosemarie DeWitt comes out the winner of the three. She has the benefit of playing the most well written character and she has the acting chops to pull it off. Jack is more the clumsy oaf while Iris is more the sounding board for his issues, but Hannah is in on both of their secrets and therefore benefits screen time wise.

    Your Sister's Sister is much better than its recent cinematic cousin Safety Guaranteed and aims for more depth in its characters. The film lacks any particular punches which may have catapulted it into more profound waters; however, it is a worthwhile indie film to enjoy in an air conditioned theater on a hot day when the just the thought of another version of Spiderman will not do.
    Full Review »
  3. Jun 25, 2012
    3
    My goodness, why is this movie getting reviews so high?
    Yes the setting is nice, cinematography is well done in general. By dialogs? Silly,
    empty at best.
    The acting is not convincing. I was waiting and waiting for the movie to get better. Time wasted, alas.
    Overall I find the movie just pathetic. It does not happen that often that I would disagree with critics that much. Oh well. Be warned.
    Full Review »