Metascore
58

Mixed or average reviews - based on 10 Critics

Critic score distribution:
  1. Positive: 5 out of 10
  2. Negative: 0 out of 10
  1. 80
    ZigZag rests heavily on Jones III's sensational turn as the lead character. Capable of drawing empathy without pity from an audience, his ZigZag is the unlikely constant in a world swirling with change and intrigue.
  2. Reviewed by: John Dentino
    50
    A great ensemble cast can't lift this heartfelt enterprise out of the familiar.
  3. ZigZag is also richly cinematic. Los Angeles locales have been chosen with a keen eye to freshness and pungent atmosphere, and they have been masterfully photographed by James L. Carter with a notably effective play of dark and light.
  4. Either a put-on or a straight shooter; that you can't tell the difference underscores its small but ultimately overwhelming flaws.
  5. The greatest strength of this modest production is Jones. ZigZag's autism is mild, meaning his symptoms are subtle, and the 19-year-old novice is completely convincing.
  6. 50
    The character of ZigZag is not sufficiently developed to support a film constructed around him.
  7. Might have been richer and more observant if it were less densely plotted. The characters would resonate more if there were fewer of them, and if they were not pushed through so many contrived dramatic incidents.
  8. Reviewed by: Ken Fox
    70
    For all its crime-story elements, this richly colored, beautifully shot film is really a story of the friendship between Singer and the kid he calls ZigZag, a relationship made all the more poignant by the fact that Singer is very sick.
  9. Reviewed by: Joe Leydon
    90
    Evidencing savvy visual flair and compelling storytelling skill, Goyer infuses heart and vigor into material that could have come off as overly familiar at best, sappily improbable at worst.
  10. Kid-pulp screenwriter Goyer (Dark City, Blade I and II) manages some mature textures but his movie never surmounts its manipulative ideas.

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