11:11 - Maria Taylor
Metascore
78 out of 100

Generally favorable reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16
  1. Beautifully fragile, sweetly depressing and smart as hell. [Jun 2005, p.164]
  2. With no bad tracks here, Maria Taylor has produced a glorious record.
  3. Like a tiny sparrow in the hand: delicate, fluttering, precisely built. [27 May 2005, p.139]
  4. Clutching at understated folk and fluttering electro-pop, '11:11' is soothing, heart-wrenching and as beautiful as can be, all Mazzy Star shimmer and earthy love, falling on only a couple of slightly flat songs.
  5. 80
    The effect of all this understatement... is that whenever she departs from wordy verses into melodically simple, pure as rainwater choruses, it's impossible not to want to sing along. [Aug 2005, p.102]
  6. 80
    11:11's elegance is in its subtlety. [Jul 2005, p.103]
  7. Though Fink's Invisible Ones is bolder and more experimental, Taylor's 11:11 is the prettier of the two--and aching beauty is what they've always done best.
  8. Occasionally, Taylor's songs don't do justice to her strengths in playing them. [#9]
  9. 70
    Her singing manages to convey both youth and authorial maturity, which is a neat trick. [Jun 2005, p.116]
  10. 70
    For those who like folk tinged ballads of the roots and electro sort, this is good news. [Jun 2005, p.85]
  11. Packed with luminous warmth, honeyed vocals and ghostly hooks that repeatedly pull you back for more. [Jul 2005, p.122]
  12. The pleasure of 11:11 is hearing Taylor step up as a songwriter. [28 Jul 2005, p.86]
  13. The bulk of 11:11... is diluted by the liberally applied digital sheen glistening off the majority of the gauzily abstract arrangements.
  14. On select tracks, Taylor may show boldness and an independency from Azure Ray and Now It's Overhead, but ultimately 11:11 settles for pandering to the backpack-toting, drama-thirsty WB demographic that has dovetailed so immaculately with the Saddle Creek universe.
  15. Luckily her whispery vocals and electro-tinged singer-songwriter musings sidestep the deep and meaningful wallpaper and delve into a place of beauty. [21 May 2005, p.66]
  16. Outside of an almost laughable club parody in "One for the Shareholder" and a couple monotonous moments, 11:11 is mostly strong, even if its spotlight is often on human weakness.
User Score

Universal acclaim- based on 12 Ratings

User score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
  1. elizabethh
    10
    i love this cd. it's her best ever, whoever isn't completely in love with it is crazy
  2. SarahC
    9
    The folk, electric sound of 11:11's music gives a nice touch in balancing out Maria Taylor's soft soothing voice.
  3. NurG
    9
    True, some flat and common songs, but most are terribly poetic, beautiful, and just really really good. Especially Two of Those two and Natur Song, they really get me. Full Review »