Generally favorable reviews - based on 18 Critics

Critic score distribution:
  1. Positive: 10 out of 18
  2. Negative: 0 out of 18
Buy On
  1. Magnet
    Dec 4, 2012
    The band has ripped elements from early L.A. hardcore, '90s powerviolence and screamo, and it wields this arsenal of influences to deliver big, sharp hooks. [No. 93, p.59]
  2. Kerrang!
    Nov 7, 2012
    This remains a feral ball of aggression and loathing. And frankly, we wouldn't want it any other way. [13 Oct 2012, p.54]
  3. Oct 11, 2012
    Rather than stampeding recklessly forward on the heels of cataclysmic frontman Lee Spielman, Trash Talk have re-directed their energy into mountainous, pile-driving riffs that hit with a lowdown, deliberate force.
  4. 70
    Thankfully, concessions aren't made at many other places on the album, and that may be why the thing works so well.
  5. Oct 10, 2012
    Its suicidal lyrics and aggressive guitar riffs won't disappoint current fans and will more than likely win over a bunch of kids from the Odd Future side.
  6. 119 is more concerned about power flexing than it is being simple, fast, direct, and catchy (and there are way less 30-second spurts than before); it has a hefty presence of East Coast ferocity, and Spielman's signature chokehold commands the band's socio-political magnitude more than ever.
  7. Oct 8, 2012
    Articulate lyrics, brutality, aggression and hot, thick-and-fast sequences that could turn Benjamin Francis Leftwich into a spliff-stealing thug characterise 119.
  8. 80
    Lee Spielman, the charismatic and intense frontman, is far more legible a singer here than he's ever been. That lucidity is in service of some of his most pointed lyrics.
  9. The most obvious progressions are the band's clearer song structures and Lee Spielman's vocals.
  10. Oct 8, 2012
    It's sometimes a difficult listen, there's a lack of lucidity and guile that at times leaves the less striking tracks to come across rather samey.

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