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- Summary: This is the debut solo full-length album for violinist/producer K. Ishibashi.
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- Record Label: Joyful Noise
- Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock
- More Details and Credits »
Top Track
Bright Whites | |
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keya keya sorya douse ne, keya keya sorya douse dame da. yamerarenai yamerarenai. douse damedakedo yamerarenai ne" "keya keya sorya douse ne, keya... | See the rest of the song lyrics |
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Score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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Apr 17, 2012Everything on 151a is mixed so that every sound is waiting to be heard. Every cherished moment is ready and waiting for you to hear it.
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Apr 17, 2012His luxuriant loop-based instrumentation on display is easy to lose yourself in, making your life seem, for just a moment, much more epic than it actually is.
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Oct 9, 2012[151A] offers a carpe-diem blend of silliness and surrealism, pathos and ethereal melodies layered like a quirky aural mille-feuille.
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Apr 17, 2012When it starts, the overt prettiness and ornate, layered arrangements are very reminiscent of Owen Pallett, but very soon it veers of in some lovely tangents, although it inevitably comes back to string-laden, experimental pop.
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UncutJul 9, 2012The songs on 151a are most notable for their beautiful bursts of melody and soaring tunefulness. [Jun 2012, p.158]
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May 22, 2012With his influences unabashedly on display - but never used as a crutch - and a sentimental streak that never comes across as mushy, Ishibashi's lack of self-consciousness turns out to be 151a's most appealing quality.
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Apr 17, 2012The problem is that Ishibashi isn't idiosyncratic enough to make this a memorable record... That said, he gets it so right on Manchester it's unbelievable.
Score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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May 25, 2014
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Jul 25, 2013
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May 5, 2012
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Jun 28, 2015
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