User Score
8.6 out of 10

Universal acclaim- based on 7 Ratings

User score distribution:
  1. Positive: 7 out of 7
  2. Mixed: 0 out of 7
  3. Negative: 0 out of 7

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  1. TatiannaV.
    Jan 2, 2002
    10
    Yet another fabulous album from a fabulous band. Lets hope the next release is just as great as this!
    • 0 of 0 users said yes
  2. HadezAngel
    Dec 20, 2004
    7
    I'm growing to love this album although it's somewhat sterile production values temper the bite of what is an otherwise very strong collection of varied and interesting songs with no obvious fillers and a consistantly high quality delivery throughout. A keeper.
    • 0 of 0 users said yes
  3. XandraL.
    Nov 22, 2001
    10
    This was my first gODHEAD album. After hearing it I went out their previous two albums "Power Tool Stigmata" and "Nothingness". I'm still searching for their first self titled. It's a great album.
    • 0 of 0 users said yes
  4. PaulaT
    Jul 25, 2003
    10
    Awesome lyrics AND music, from a very talented group. Jason Miller's voice is hypnotic and sexy. Looking forward to a live show!
    • 0 of 0 users said yes
  5. PlanetZbra
    May 25, 2004
    7
    2000 Years of Human Error is a monumental disappointment in comparison to their past work. That's just the thing, you can tell that it wasn't their work, but instead a product of the nuance and lending of industry flop, Marilyn Manson. If you want to hear what gODHEAD is really all about, pick up Nothingness, or Power Tool Stigmata. If there is one band out there that is deserving of the proper nurturing a qualified producer can give, it is gODHEAD. Expand
    • 0 of 0 users said yes
Metascore

Mixed or average reviews - based on 7 Critics

Critic score distribution:
  1. Positive: 1 out of 7
  2. Negative: 1 out of 7
  1. 2000 Years is a guitar-ripping dissertation --only it's sealed inside a musical envelope that's addressed to the likes of Adam and Eve.
  2. 30
    Most of the songs on 2000 Years of Human Error feature the now clichéd mix of distorted vocals, loud guitars, and electro rhythms, and, as a result, the band sounds too much like its brethren to be distinctive.
  3. There's not much sonic discovery or eviscerating emotion here to elevate godhead outside the Pro-Tools realm of co-headlining tours with Stabbing Westward. [#151, p.82]