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MojoArmstrong's anti-establishment shtick has lost some of its impact. [Jun 2009, p.102]
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Like its predecessor, 21st Century Breakdown delivers less than it promises; it’s more successful as a rock album than as a rock opera.
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Armstrong, bassist Mike Dirnt, and drummer Tré Cool push Idiot's conceits even further on 21st Century Breakdown, a slick, class-obsessed, 70-minute, 18-song, three-act cycle that trades Bush-era indignation for Obama-era resignation.
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If it seems a little less bold, a little less surprising than its predecessor, you still wouldn't bet against 21st Century Breakdown repeating its success.
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The story is hard to follow, but after a few listens the band’s rallying cries take shape.
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Such quality care is evident throughout most of Breakdown, and, as such, individual moments positively glisten, even if the widescreen view of Breakdown feels a bit muddled and confused, the whole actually being less than the sum of its parts.
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Melodic pop-punk is the point, after all, and on that level it’s a success. Even with a muddled message, credit is due for the ambition it takes to vent these modern frustrations and break free from the shackles of verse-chorus-verse.
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I don't like right-wing Christianists either. But as every oppressed teen in the right-wing orbit knows full well, they're not as garbled and simplistic as Armstrong's anthems insist.
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Bloated, culturally inconsequential and decidedly average, the net result is a band getting far too high on an over-inflated sense of self-importance to the deafening chimes of cash registers the world over.
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The performances are blandly professional, because any major-label rock band of Green Day's abilities could shit this stuff out in their sleep, and emotionally inert. This is the crafting of a modern epic as a dreary day-job routine.
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UncutInstead of idling into wry balladry of the later works of their obvious idols The Replacements, which would have suited Green Day well, they've affected the airs of Serious Artists. [Jul 2009, p.88]
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It is overbearing, pretentious, huge, and begrudgingly catchy, but most importantly, it unveils a band without direction.
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Maybe if you've heard one Green Day rock opera, you've heard them all. Anyone who owns American Idiot probably won't need its lesser twin, and those who steered clear won't come groveling for forgiveness.
Awards & Rankings
User score distribution:
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Positive: 323 out of 391
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Mixed: 31 out of 391
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Negative: 37 out of 391
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Mar 1, 2012
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Sep 21, 2011Sounds like b-sides of American Idiot and Warning. Complete lackluster display of songs.from such a great band.
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Aug 23, 2011